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TEAMS Middle English Texts Series
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
Ricarde. Unidentified, but certainly not (ut puto) King Richard; see the Introduction, p. 33 and note 91. 11 Trenovantum. I.e., London; compare lines 18 ("Nova Troia"), 39 ("Troia"), 123 ("Troia Novella"), and 212 ("Pergama"). On these allusions, see Federico, "A
of Such Virtue, Fayrfax Series no. 16 (London: Stainer and Bell, 1951); Manning, p. 155, with music; Oliver, pp. 82-83, with music; Bullett, p. 5, with music; E. Routley, The English Carols (London: H. Jenkins, 1958), p. 29, with music.
Editions: Thomas Wright, Poems of William de Shoreham, Percy Society 28 (London: T. Richards, 1851), pp. 131-34; M. Konrath, The Poems of William of Shoreham, EETS e.s. 86 (London: Kegan Paul, 1902), pp. 127-29; B14, no. 32; Davies, no. 34;
Gray, Themes, p. 164; Sisam, Oxford, p. 524; William Tydeman, English Poetry 1400-1580 (London: Heinemann Educational, 1970), p. 53; Geoffrey Grigson, The Faber Book of Popular Verse (London: Faber and Faber, 1971), p. 308; Manning, pp. 115-16; Stevick, no. 99;
Editions: Thomas Wright, Poems of William de Shoreham, Percy Society 28 (London: T. Richards, 1851), pp. 131-34; M. Konrath, The Poems of William of Shoreham, EETS e.s. 86 (London: Kegan Paul, 1902), pp. 127-29; B14, no. 32; Davies, no. 34;
Eccles, p. 190 (note to The Castle of Perseverance line 879); Peter Idley's Instructions to His Son, ed. Charlotte d'Evelyn (London: Oxford University Press, 1935), line 560 and note (p. 216); and W. K. Smart, "Some Notes on Mankind," Modern
Editions: Thomas Wright, Poems of William de Shoreham, Percy Society 28 (London: T. Richards, 1851), pp. 131-34; M. Konrath, The Poems of William of Shoreham, EETS e.s. 86 (London: Kegan Paul, 1902), pp. 127-29; B14, no. 32; Davies, no. 34;
Gray, Themes, p. 164; Sisam, Oxford, p. 524; William Tydeman, English Poetry 1400-1580 (London: Heinemann Educational, 1970), p. 53; Geoffrey Grigson, The Faber Book of Popular Verse (London: Faber and Faber, 1971), p. 308; Manning, pp. 115-16; Stevick, no. 99;
Editions: Thomas Wright, Poems of William de Shoreham, Percy Society 28 (London: T. Richards, 1851), pp. 131-34; M. Konrath, The Poems of William of Shoreham, EETS e.s. 86 (London: Kegan Paul, 1902), pp. 127-29; B14, no. 32; Davies, no. 34;
the present tense verbs in the text exhibit the Midland and Northern -es suffix, which would eventually spread to the London area and replace the Southern ME -eth suffix in the third-person singular. The -es suffix is commonly used in
Romances. Totowa, NJ: Rowman and Littlefield, 1973. Pp. 16992. Robson, John, ed. Three Early English Metrical Romances. Camden Society 18. London, 1842. Pp. 27-56. [Ireland MS.] Weber, Henry, ed. Metrical Romances of the Thirteenth, Fourteenth, and Fifteenth Centuries. 3 vols.
on the text of the Auchinleck MS unless otherwise noted.) Alexander, Michael, and Felicity Riddy, eds. The Middle Ages (700B1550). London: Macmillan Education, 1989. Pp. 158B76. Bliss, A. J., ed. Sir Orfeo. 2nd ed. Oxford: Clarendon Press, 1966. [A useful