by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
Miniatures of a portcullis and an initial 'T'(enor) in the form of half-Tudor rose, half-pomegranate, with a partial trompe l'oeil border. Musical notation. 2 miniatures in colours and gold of the royal arms and the badge of a portcullis
Text pages with musical notation. Musical notation. 2 miniatures in colours and gold of the royal arms and the badge of a portcullis (ff. 2v-3). Two illuminated initials in colours and gold with partial trompe l'oeil borders. Calligraphic initials