• Decorated initial 'D'(ilectissimo filio) at the beginning of the letters of Pope Leo I., Papal letters, decretals, Anselm's Cur Deus Homo (ff. 90-125)

Decorated initial 'D'(ilectissimo filio) at the beginning of the letters of Pope Leo I. f. 1 is a paper folio with a description of the contents of the manuscript by Humfrey Wanley, Harley librarian.ff. 126-127 is a parchment bifolio

• Miniature of the Holy Women at the Tomb, above sleeping Roman soldiers., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Detail of a miniature of a martyr holding a palm., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Detail from the plaque set in the front cover of Paul, holding an open book (according to Foot) or Matthew (according to Dalton; Lasko)., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Zoomorphic initial 'I'(ncipit) with display script, at the beginning of the preface of the Prognosticon futuri saeculi of Julian of Toledo., Prognosticon futuri saeculi; Aenigmata

as 'Libri pronosticorum iiº. In altero sunt enigmata sancti Aldelmi vetusti' (see Medieval Libraries of Great Britain 1996); noted by John Leland in his list of books in Glastonbury abbey, before 1533, no. 24 (see Carley 1986), and ~Joannis Lelandi

• Zoomorphic initial 'I'(ndicii) with display script, at the beginning of book 3 of the Prognosticon futuri saeculi of Julian of Toledo., Prognosticon futuri saeculi; Aenigmata

as 'Libri pronosticorum iiº. In altero sunt enigmata sancti Aldelmi vetusti' (see Medieval Libraries of Great Britain 1996); noted by John Leland in his list of books in Glastonbury abbey, before 1533, no. 24 (see Carley 1986), and ~Joannis Lelandi

• Detail of illuminated initial 'D' with a dog., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

• Detail of an inhabited initial 'R'(egu) with a dragon, in gold and colours., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

• Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work. Wormald Type II(b) initials of heads, interlace

• Title page for the first section of Bede's prose Life of Cuthbert with the title in capital letters, and a rectangular border., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Title page for the first section of Bede's prose Life of Cuthbert with the title in capital letters, and a rectangular border. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ

• Interlace initial 'P'(rincipium) with animal heads at the beginning of Bede's prose life of Cuthbert., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Interlace initial 'P'(rincipium) with animal heads at the beginning of Bede's prose life of Cuthbert. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff.

• Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English. Wormald Type II(b) initials of

• Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin and Old English above the lines., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin

• Miniature of Christ in Majesty with John the Baptist and Mary (the Deesis)., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

in Majesty with John the Baptist and Mary (the Deesis). The calendar is a pre-Sarum Winchester diocese secular calendar, according to Morgan 1981.The Psalter conforms to the standards of the Holy Sepulchre, and the office of the dead is the

• Inhabited initial 'V'(enerabilis) with animal and human heads, and a fish., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

• Title page and interlace initial 'P'(rincipium) with animal heads and mask., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Title page and interlace initial 'P'(rincipium) with animal heads and mask. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was

• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Coloured initials. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Coloured and decorated initials. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Diagram. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices

• Detail from the plaque set in the front cover of Paul, holding an open book (according to Foot) or Matthew (according to Dalton; Lasko)., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons