• null, Comedies, preceded by arguments and prologues: Andria (ff. 1-29v), Eunuchus (ff. 30-74v), Heauton timoroumenos (ff. 75-115), Adelphoe (ff. 115-144), Hecyra (ff. 145-177), Phormio (ff. 177v-205v )

owners/readers, 16th century, several of them of Aldermaston, Berkshire: inscriptions, mainly in English, include mention of 'thys boke p(er)tenit to John …' (f. 1, effaced), 'Wyllyam forster knyght of Aldermasten' (ff. 1v), 'George Saltte of Aldermasten Servante unto humfrey fforster

• null, Comedies, preceded by arguments and prologues: Andria (ff. 1-29v), Eunuchus (ff. 30-74v), Heauton timoroumenos (ff. 75-115), Adelphoe (ff. 115-144), Hecyra (ff. 145-177), Phormio (ff. 177v-205v )

owners/readers, 16th century, several of them of Aldermaston, Berkshire: inscriptions, mainly in English, include mention of 'thys boke p(er)tenit to John …' (f. 1, effaced), 'Wyllyam forster knyght of Aldermasten' (ff. 1v), 'George Saltte of Aldermasten Servante unto humfrey fforster

• Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto IV., Divina Commedia (index Divine Comedy)

Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration

• Detail of a miniature of Dante being examined by James and John, with Christ and angels looking on., Divina Commedia (index Divine Comedy)

Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

• Detail of a miniature of Beatrice watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls., Divina Commedia (index Divine Comedy)

watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence

• Historiated initial 'F'(ratres) with ?Paul holding a sword and book, decorated initials and full border with acanthus leaves, birds, butterflies and a space left blank originally intended for a coat of arms, at the beginning of the text., Breviary, Use of Rome, including a Psalter with a litany

Elizabeth and the infant John the Baptist (f. 376), Peter and Paul holding their attributes, the key and the sword (f. 381v), Assumption of the Virgin with cherubs (f. 411v), Virgin and Child (f. 424v), John the Evangelist blessing (f.

• Marginal miniatures of the kingship ritual in Trirconnell of killing of the white mare, the bath of a king in a stew of mare's meat, and eating of the meat by the king's supporters; and on the opposite page, two men of Connaugh in a boat called a curragh and an Irishman riding bare-chested on a horse., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Marginal miniatures of examples of bestiality: the Cow-stag of Chester, the woman of Connaught embracing a goat and Joanna of Paris embracing a lion, with an Irish cockerel, and Kevin of Glendalough allowing a bird to nest in his hand., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Coloured initials with penwork decoration., Fragment from a medical text, on parchment, containing part of Gariopontus of Salerno’s Passionarius, Book 2, the 2nd half of chapter LVIII "De tumore iecoris," through the first 1/3 of the Cura for chapter LIX "De scleria hepatis". The green initial "C" from (probably) ch. LXI "Collectio hepatis" or (the cura) "Cataplasmentur ex lini" is visible through the page.

of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). During the 19th century, the drawings and printed book fragments from the volume were

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);

• Inserted miniature of a kneeling pilgrim, accompanied by a monk, presenting a book to a standing knight in armour. A later inscription on the facing folio identifies the monk as John Lydgate, and the knight as the Earl of Salisbury, to whom Lydgate's 'The Pilgrimage of the Life of Man' was dedicated. The figure of the monk may represent either Lydgate (d. c. 1450), a Benedictine monk at the abbey of Bury St Edwards, Suffolk, or Deguileville (d. c. 1358), a Cistercian at the abbey of Chalis in Valois, and the earl of Salisbury, Thomas Montague (d. 1428) may be the figure in armour (see Scott 1996, p. 305)., Added tinted drawing

standing knight in armour. A later inscription on the facing folio identifies the monk as John Lydgate, and the knight as the Earl of Salisbury, to whom Lydgate's 'The Pilgrimage of the Life of Man' was dedicated. The figure of

• Coloured initials., Miscellany, including De regimine principum (ff. 1-97) (see Notes)

of a table of contents (f. 1* verso) and a few medical recipes (ff. 167v-168, 169). John Kymbell: 16th-century inscription 'Iste liber constatt John Kymbell' (f. 2*); 'Jhon Kymbell' (f. 170v); and a receipt of money owed to him dated

• Coloured initials at the beginning of John., Gospels (The Gospels of St Cyr of Nevers or sometimes the 'Gedeon Gospels of Nevers'), with prefaces, canon tables, and list of readings (ff. 264-271v)

the beginning of John. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or foliate

• Historiated initials accompanying prayers to the wound in the holy foot of Christ and to an image of the Virign., Book of Hours, Use of Sarum

Remigii et Bavonis (Flanders), Translatio sancti Edwardi, Martini; in brown: Vulfranni, Batildis, Cedde, Edwardi, Cuthberti, Benedicti, Guthlaci, Johannis de Beverlaico (John of Beverley), Dunstani, Translacio Edmundi, Translatio sancti Ricardi, Translatio sancti Edwardi regis, Sunichini, Kenelmi, Oswaldi, Cuthburge, Translatio sancti Cuthberti,

• Historiated initial 'P'(ropitia) with interlace, foliage and a human head, and enclosing Ambrose, seated, followed by display letters in red and black, at the beginning of the text. In the lower margin, added in the late-15th century, certainly in Florence, 3 medallions: one enclosing a bishop with a crozier, 2 with the coat of arms of 'Antonius pele' whose name is written below in large red letters., Homiliary: sermons and homilies

bust-length (Gregory? (f. 25), Stephen? (f. 67), Remigius? (f. 111v), Augustine? (f. 242)), or with the head of a saint (John the Baptist (f. 106v)). 1 defaced historiated initial (f. 267). 1 very large decorated initial in colours and gold

• Detail of a decorated initial 'P'(rimo) with interlace, a human head and foliate decoration followed by display script at the beginning of the homily for Christmas day., Homiliary: sermons and homilies

bust-length (Gregory? (f. 25), Stephen? (f. 67), Remigius? (f. 111v), Augustine? (f. 242)), or with the head of a saint (John the Baptist (f. 106v)). 1 defaced historiated initial (f. 267). 1 very large decorated initial in colours and gold

• Decorated initial 'P'(rimo) with a fish at the beginning of a homily by Remigius., Homiliary: sermons and homilies

bust-length (Gregory? (f. 25), Stephen? (f. 67), Remigius? (f. 111v), Augustine? (f. 242)), or with the head of a saint (John the Baptist (f. 106v)). 1 defaced historiated initial (f. 267). 1 very large decorated initial in colours and gold

• Decorated initial 'N'(uper) with white intertwined tendrils at the beginning of a sermon by Augustine., Homiliary: sermons and homilies

bust-length (Gregory? (f. 25), Stephen? (f. 67), Remigius? (f. 111v), Augustine? (f. 242)), or with the head of a saint (John the Baptist (f. 106v)). 1 defaced historiated initial (f. 267). 1 very large decorated initial in colours and gold

• Decorated initial 'I'(n explanatione) at the beginning of an homily with interlace and foliate decoration., Homiliary: sermons and homilies

bust-length (Gregory? (f. 25), Stephen? (f. 67), Remigius? (f. 111v), Augustine? (f. 242)), or with the head of a saint (John the Baptist (f. 106v)). 1 defaced historiated initial (f. 267). 1 very large decorated initial in colours and gold

• Detail of a decorated initial 'I'(n explanatione) at the beginning of an homily with interlace and foliate decoration., Homiliary: sermons and homilies

bust-length (Gregory? (f. 25), Stephen? (f. 67), Remigius? (f. 111v), Augustine? (f. 242)), or with the head of a saint (John the Baptist (f. 106v)). 1 defaced historiated initial (f. 267). 1 very large decorated initial in colours and gold