• White vine initial 'N'(icolaus) and full border with medallions enclosing heads of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes (Pegasus, mermaid, man and centaur), and an unidentified coat of arms, at the beginning of the dedication to pope Nicholas V., Historiae

(including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes (Pegasus, mermaid, man and centaur), and an unidentified coat of arms, at the beginning of the dedication to

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Full-page miniature of Luke painting seated at an easel supporting an arch-topped panel, and holding a brush and palette, with a winged bull, Luke's symbol, behind him, and a scroll bearing the opening words of Luke 1:5 ('Fuit in diebus Herodis'), with a full border including flowers, insects and a drum-beating ape., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a miniature of Luke painting seated at an easel supporting an arch-topped panel, and holding a brush and palette, with a winged bull, Luke's symbol, behind him, and a scroll bearing the opening words of Luke 1:5 ('Fuit in diebus Herodis')., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Coloured initials., Miscellany of prose and verse, including Gregory's Chronicle, a dietary (ff. 66-77); John Page's poem The Siege of Rouen; a chronicle of London breaking off in 1470; the Seven Sages of Rome (ff. 3-54v)

initials in red. Paraphs in red. Miscellany of prose and verse, including Gregory's Chronicle, a dietary (ff. 66-77); John Page's poem The Siege of Rouen; a chronicle of London breaking off in 1470; the Seven Sages of Rome (ff. 3-54v)

• Decorated initial 'H'(e) combined with a foliate border including acanthus leaves and besants at the beginning of the text., The Fall of Princes (index De casibus virorum et feminarum illustrium)

was in th[e] Kinges displeasu[re]' (f. 73). John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection,

• null, Similitudines Anselmi, with table of chapters

Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’ (f. 66). ? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Archbishop Anselm’s Similitudes, Compleat/Wrote about Anno Domini 1400

• Penwork initial 'P' in green and red, at the beginning of the Epistles of Paul., Glossed Pauline Epistles; treatise on prayer, Donatio Constantini, excerpta from Augustine and Jerome

but 1698?), II, no. 6513 or 6523.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Tinted drawing of king Henry VI on horseback., Coats of Arms in the time of Henry VI

include those of Wyfolde or Wywold, Gregory and Norman, Lord Mayors in 1450, 1451, and 1453; John Derby, sheriff of London in 1446; John Stockton and William Stoker, Lord Mayors in 1470 and 1483 and the arms of the Tallow

• Detail of a white vine initial 'N'(icolaus)., Historiae

of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold

• Detail of unidentified arms in the lower margin of the folio., Historiae

of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold

• Front cover of brown leather with gold tooling, the arms of George II and the date, 1757., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a

• Miniature of John on Patmos, at the beginning of his Gospel., Miniatures added to a Book of Hours

of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours Unidentified

• A volvelle, a device with a moveable disc rotating with a fixed matrix, the pointing moveable index of which could be set at the sign and degree of the zodiac for a particular day in order to predict the best time to provide medical treatment: the moving central part of the volvelle, with the pointer, is inscribed in red with numbers from 1-30; in the concentric circles around this are drawings of the signs of the zodiac, their names, and the names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and Damian spooning medicine from box, lower right, all in ink, with scrolls bearing captions., Calendar, diagrams; medical texts

names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and