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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

350 results from this resource . Displaying 1 to 20

Church, Canterbury (see f. 2; Gameson 1999 p. 94).Dover Priory, by 14th century: inscribed with its press mark 'D VII' and title (f. 2); included in the 1389 catalogue.John Joscelin [Joscelyn] (b. 1529, d. 1603), Old English scholar and

a bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids. 46 large historiated

a bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids. 46 large historiated

bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids. 46 large historiated initials,

in gold with black pen-flourishing, or in blue with red pen-flourishing. Epistle Lectionary The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c.1450, d.1523), administrator, merchant, and lord mayor of London (1508-9) and

or blue at the beginning of lines and verses (ff. 60-89). Rubrics in red. Sermons, letters and tracts The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 155 in Patrick Young's 1622 catalogue of the cathedral

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

in gold with black pen-flourishing, or in blue with red pen-flourishing. Epistle Lectionary The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c.1450, d.1523), administrator, merchant, and lord mayor of London (1508-9) and

supervising the building of a church; miniature of Joseph or Arimathea on his deathbed making a red cross on a white shield with his own blood as a momento for Mordrain. Includes: Estoire del Saint Graal, imperfect (ff. 1-88); La

king supervising the building of a church. Includes: Estoire del Saint Graal, imperfect (ff. 1-88); La Queste del Saint Graal (ff. 89-139); abridged version of the Morte Artu, imperfect, attributed to Walter Map (ff. 140-161). This manuscript is connected in

Ehfridus, with corrections in the hand of Patrick Young, 17th century (ff. 163-165). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Aldhelm Aldhelm Winchester England, S. (Winchester or Canterbury, Christ Church)

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

a Dominican friar kneeling in the foreground and the Shepherds in the background. Cutting from a Dominican manuscript ?A Dominican church, possibly San Domenico in Bologna: kneeling Dominican friars in the present cutting and those formerly in the Holford Collection

Decorated foliate initial 'A'(dventus) at the beginning of Florus's Epitome bellorum, and foliate border with heraldic arms. 1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating

Cathedral, but no certain evidence supports this hypothesis (see discussion Keynes 1985). Humphrey Wanley suggested that it belonged to Christ Church, Canterbury (see 'Antiquæ literaturæ Septentrionalis liber alter', in George Hickes ~Linguarum Vett. Septentrionalium Thesaurus Grammatico-Criticus et Archæologicus~, 2 vols

Cathedral, but no certain evidence supports this hypothesis (see discussion Keynes 1985). Humphrey Wanley suggested that it belonged to Christ Church, Canterbury (see 'Antiquæ literaturæ Septentrionalis liber alter', in George Hickes ~Linguarum Vett. Septentrionalium Thesaurus Grammatico-Criticus et Archæologicus~, 2 vols

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 3 June 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=church&sdf=1319&sdt=1325