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Initial 'A'(ristoteles) with pen-flourishing, at the beginning of Aristoteles's De generatione animalium. 1 large initial in red (corrected with brown) with red pen-flourishing (f. 4). 21 smaller initials in red or blue with pen-flourishing in red, at the beginning
of Christ revisiting souls of John the Baptist, Adam and Eve in Paradise. ~Meditationes vitae Christi~ attributed here to Bonaventure, translated as ~Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ~ by Jean Galopes, dean of
battle between Genghis Khan and Prester John. Includes 8 works forming a compendium of the wonders of the East combined with crusading texts: Historia de proeliis translated in French as La vraie ystoire dou bon roi Alixandre (ff.1-46); Jehan le
Philadelphia, Lewis E. M. II 19-22v, and 12 detached full page miniatures: Job, Pentecost and Annunciation from the collection of John Malcolm of Poltalloch, Add. 35254, ff. T, U, V, Luke, Edinburgh, National Library of Scotland, Ms. 8999, Betrayal of
Philadelphia, Lewis E. M. II 19-22v, and 12 detached full page miniatures: Job, Pentecost and Annunciation from the collection of John Malcolm of Poltalloch, Add. 35254, ff. T, U, V, Luke, Edinburgh, National Library of Scotland, Ms. 8999, Betrayal of
Philadelphia, Lewis E. M. II 19-22v, and 12 detached full page miniatures: Job, Pentecost and Annunciation from the collection of John Malcolm of Poltalloch, Add. 35254, ff. T, U, V, Luke, Edinburgh, National Library of Scotland, Ms. 8999, Betrayal of
Philadelphia, Lewis E. M. II 19-22v, and 12 detached full page miniatures: Job, Pentecost and Annunciation from the collection of John Malcolm of Poltalloch, Add. 35254, ff. T, U, V, Luke, Edinburgh, National Library of Scotland, Ms. 8999, Betrayal of
Decorated initial 'D'(ilexi), at the beginning of the Office and Mass of the Dead. Musical notation.For vol. 2, see Egerton 3312. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E.
Flourished initial 'M'(isere), in the Office and Mass of the Dead. Musical notation.For vol. 2, see Egerton 3312. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E. Ph. Goldschmidt, ~Gothic
Heraldic arms, at the beginning of the Office and Mass of the Dead. Musical notation.For vol. 2, see Egerton 3312. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E. Ph.
possibly by, Luigi Piero Guicciardini, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 9 November 1721, but the manuscript is not inscribed as
(f. [1a]); see also note by William Gutherie that it was owned by ' the Kors of Kirtony' (f. 2).? John Somers (b. 1651, d. 1716), Baron Somers, lawyer and politician: inscribed 'of Lord Somers' Collection Sum. E. Umfreville', dated
baptism of Christ by John the Baptist. This manuscript was formerly Additional 39844. 50 small miniatures, in colours (ff. 43v, 44, 46, 47, 49, 49v, 50v, 51 (x2), 53, 53v, 54, 55, 55v, 56 (x2), 57 (x2), 57v, 58, 58v,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,
by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of Evreux), chaplain of Henry V of England, and of John, duke of Bedford, were composed for Henry V probably c. 1420. Another contemporary copy of this text is Cambridge,