• Historiated initial 'D'(eus) of heads of king David and Christ (?), and at the beginning of Psalm 69., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Historiated initials 'D'(eus) with a head of a king, a historiated initial 'O'(mnipotens) with a head of a bishop, and a historiated initial 'D'(eus) of the holy Spirit as a dove, with a foliate border., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Historiated initial 'C'(eli) of the Virgin and Child, with a foliate border., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Detail of an historiated initial 'C'(eli) of the Virgin and Child, with a foliate border., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Historiated initial 'D'(eus) with heads of the Virgin and archangel Gabriel, a historiated initial 'D'(eus) of a head of the Virgin and the Holy Spirit as a dove, a historiated initial 'G'(raciam) of a head of the Virgin, and a historiated initial 'C'(oncede) of the Virgin and Child., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Illuminated initial 'S'(uscipere) with the arms of Humfrey, duke of Gloucester, and a partial bar border., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Detail of an illuminated initial 'S'(uscipere) with the arms of Humfrey, duke of Gloucester., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Detail of the arms of Humfrey, duke of Gloucester, in the lower margin of the folio., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);

• Defaced initial at the beginning of the text written in a humanistic hand by Giovanni da Stia. Ownership inscriptions of John Blaxton in the upper and lower margins., Various works including Plutarch's Lives, Leonardus Brunus Aretinus' Cicero novus, etc. (imperfect)

a humanistic hand by Giovanni da Stia. Ownership inscriptions of John Blaxton in the upper and lower margins. For a more detailed list of contents, see ~Catalogue~ 1808.List of contents (f. 177v).Two fragments from the Life of Sertorius found by

• Puzzle initial 'S'(umtyme) with pen-flourishing at the beginning of the prologue., The Prose Brut Chronicle of England (extended version to 1430), including John Page's poem 'The Siege of Rouen'

(f. 1, damaged). Initials in blue with red pen-flourishing. The Prose Brut Chronicle of England (extended version to 1430), including John Page's poem 'The Siege of Rouen' Pressmarks '96' and 'I7' (f. 1).Henry ?Brayne, 16th century: inscribed 'Thys whas wryttyn

• 'Champ' initial 'T'(his) with an inner bar border ending in ivy at the beginning of the prologue., The Poor Caitif (index The poor wretch; Poor Caitiff)

106, 107v). ?Mark Frank (bapt. 1612, d. 1664), college head and theologian, Master of Pembroke College, Cambridge, 1662-1664: inscribed by John Covel ''Bought this out of Dr ?Franckus his library. It is well worth 15 S.' (f. 1*).John Covel (b.

• Headpiece with geometric and zoomorphic decoration. Notes added by John Covel (before 1715)., Collection of medical texts, including Aetius's 'Libri medicinales', Books 3-4 (ff. 1v-51, 53v-79v), and Hippocrates's 'Epistula ad Ptolemaeum regem' (ff. 80-83v) and 'Aphorismi', Books 2-6 (ff. 86-91v)

zoomorphic decoration. Notes added by John Covel (before 1715). The manuscript also includes:Table of contents for Aetius's Book 3 (ff. 2*-4*, 1);Recipe for the eyes (f. 1);Table of contents for Aetius's Book 4 (ff. 51v-53);Plant vocabulary in Greek and Syriac

• Decorated initial 'L'(iber) with interlace patterns at the beginning of Matthew., Gospels (ff. 1-139) and capitulare evangeliorum (ff. 139v-150)

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

• Decorated initial 'Q'(uoniam) with interlace patterns at the beginning of Luke., Gospels (ff. 1-139) and capitulare evangeliorum (ff. 139v-150)

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

• Detail of a miniature of Raymond de Peñafort presenting the Decretales to Gregory IX, with an illuminated initial 'G'(regorius), at the beginning of Gregory IX letter to the university of Bologna., Decretales, with the glossa ordinaria

inscribed 'Lib[er] Caroli Theyer' (f. 296v).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 289.Charles

• Miniature of the genealogical table of descendants of Louis IX in the form of a fleur-de-lys, with portraits of kings in medallions, supported by Humfrey, duke of Gloucester with his arms and the arms of Anjou encircled by the Garter, and Richard, duke of York with his arms and an initial 'M' encircled by the Garter; the arms of France and of George encircled by the Garter, and a banner bearing the royal arms of England impaled with the arms of Anjou, wrapped with a scroll inscribed with a motto 'Dieu est mon droit', and supported by the royal device of an antelope with a crown and chain., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of the coronation of Alexander., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of a banner bearing the royal arms of England impaled with the arms of Anjou, wrapped with a scroll inscribed with a motto 'Dieu est mon droit', and supported by the royal device of an antelope with a crown and chain., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Miniature of Alexander battling against a strange beast; miniatures of Alexander fighting Porrus., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium

• Detail of a miniature of Alexander attacking a city., Poems and Romances (the 'Talbot Shrewsbury book')

Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium