• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

Detail of Illuminated initial 'O'. Vertical catchwords.Ruled in crayon.ff. [i], [197] are parchment leaves pasted to marbled paper flyleaves.ff. [ii-iv], [195-196] are ruled parchment leaves.A large triangular section has been trimmed off the upper half of f. [iii]. Vestiges

• Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation

• Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except

• Border with hybrids and grotesques., Book of Hours, Use of Paris

Border with hybrids and grotesques. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation on gold (f. 35), animated with a large variety of insects, animals, human and hybrid

• Border with figures, including a woman, and two half-naked men., Book of Hours, Use of Paris

Border with figures, including a woman, and two half-naked men. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation on gold (f. 35), animated with a large variety of

• null, Book of Hours, Use of Paris

27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation on gold (f. 35), animated with a large variety of insects, animals, human and hybrid figures, in colours and gold

• null, Book of Hours, Use of Paris

27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation on gold (f. 35), animated with a large variety of insects, animals, human and hybrid figures, in colours and gold

• Detail of the colophon: 'Anno dominicae incarnationis M^o^CCCC^o^LXX^o^ & vii^a^ decembris opus hoc consumatum est: die autum veneris summo mane. Laus & gloria sit omnipotenti yhu xpo per infinita secula'., Lives

Detail of the colophon: 'Anno dominicae incarnationis M^o^CCCC^o^LXX^o^ & vii^a^ decembris opus hoc consumatum est: die autum veneris summo mane. Laus & gloria sit omnipotenti yhu xpo per infinita secula'. Probably the second of two volumes; the first volume

• Decorated initial 'B'(eatus) with animal heads and figures at the beginning of Psalm 1., Psalter, with litany and additional prayers and canticles

Xixti (6 August and 20 September); Afra (7 August); Willibrord (7 November).Ampersands.f. 8-8v contains the beginning of the Gospel of John (the Easter reading), with decoration consonant with the rest of the manuscript.Multi-coloured stitching in the margin of ff. 95,

• A montage (now dismembered) of four sections of historiated border of cartouches, scrolls, trompe l’oeil pearls, cherubs, arabesques, and figures in monochrome of John, the Resurrection, Mark and two medallions inscribed 'De / dit / illi no / men' and 'Quod / est su / per omne / nome[n]' (f. 83a; 35 x 240 mm); of Augustine, Gregory, a scene with many figures and two plaques inscribed 'MDLXIIII' and 'Iulio' (f. 83e; 270 x 35 mm); of Matthew, the Ascension, Luke and two medallions inscribed 'Ut / in nomi / ne / Iesu' and 'Om / ne genus flecta / tur' (f. 83h; 35 x 240 mm); of Jerome, Ambrose, and a scene with many figures and two plaques inscribed 'Anno V' and 'Mense' (f. 83d; 270 x 35); four plaques inscribed 'Apollonius / de / Bonfratellis / de / Capranica' (f. 83b; 35 x 35 mm), 'Capellae / et / Sacrestiae / Apostolicae / Minaiator / Fecit' (f. 83c; 35 x 35 mm), 'Anno / Domini / MDLXIV / Mense Iulio' (f. 83f; 35 x 35 mm), and 'Sedente / Pio Iv / Pont. Opt. Max. / De Medicis / Mediolanense / Anno V' (f. 83g; 35 x 35 mm); and two strips of gold parchment (ff. 83i and j; 50 x 80 mm each)., Cuttings from service books of Pius IV

cartouches, scrolls, trompe l’oeil pearls, cherubs, arabesques, and figures in monochrome of John, the Resurrection, Mark and two medallions inscribed 'De / dit / illi no / men' and 'Quod / est su / per omne / nome[n]' (f. 83a;

• Two sections of historiated border of cartouches and medallions containing full-length figures of apostles including John, Andrew and Philip in gold monochrome, and the inscriptions: 'Manifestum / eum fecit / non omni / populo' and 'sed …/ …./ prae ordi / natis' (f. 86; 40 x 245 mm); and cartouches and medallions containing a full-length figures of apostles including Philip and Thomas five in gold monochrome, and the inscriptions: 'Nobis qui / dem qui / manduca / vimu' and 'bibimus / cum illo / …/ surrexit' (f. 87; 40 x 240 mm)., Cuttings from service books of Pius IV

and medallions containing full-length figures of apostles including John, Andrew and Philip in gold monochrome, and the inscriptions: 'Manifestum / eum fecit / non omni / populo' and 'sed …/ …./ prae ordi / natis' (f. 86; 40 x 245

• A montage (now dismembered) of a full-page miniature of the Lamentation with Christ laid on a bier covered with cloths beneath the cross, the Virgin and the Holy Women surrounding him, a historiated border of cartouches and medallions containing scenes and figures painted in gold monochrome: the Coronation of the Virgin, the Resurrection, Christ before Pilate, the Harrowing of Hell, and the four Evangelists, and the inscription 'Sic oportuit / pati Christum/ et ita intrare / in gloriam suam’ from Luke 24:26, reclining prophets bearing texts from Amos 9:6 'qui edificat ascensionem suam'; Ezekiel 37:12 'educam vos de sepulchris vestris popule [sic; populus] meus'; Hosea 13:14 'O mors ero mors tua morsus tuus ero inferne' and John 19:37 'Viderunt [sic; Videbunt] in quem transfixerunt', and the inscription 'Dux vitae / mortuus / regnat / vivus' divided among the four corners, measuring 335 x 245 mm (f. 91a); a section of scroll, measuring 15 x 40 mm (f. 91b) and a strip of parchment, measuring 15 x 40 mm (f. 91c). On the reverse is text of the Sanctus from the Palm Sunday procession liturgy 'Sanctus, Sanctus, / Sanctus d[omi]n[u]s deus / sabaoth. Pleni sunt c[a]eli et terra gloria tua, / Osa[n]na in excelsis. Be / nedictus qui venit in / nomine domini Osa[n] / na in excelsis' (f. 91a verso) and the letters ‘h’ and ‘u’ (91b verso)., Cuttings from service books of Pius IV

vos de sepulchris vestris popule [sic; populus] meus'; Hosea 13:14 'O mors ero mors tua morsus tuus ero inferne' and John 19:37 'Viderunt [sic; Videbunt] in quem transfixerunt', and the inscription 'Dux vitae / mortuus / regnat / vivus' divided

• Illuminated initial 'P' and border., New Testament, in the later Wycliffe version (index Bible), with prologues, table of lessons, and a table of arguments of the various books

the various books John Harefinch, in 1708: inscriptions 'John Harefinch His Booke 1708', twice, and 'John Harefinch' (f. 274v); 'John Harefinch His Book' (ff. 19v, 20, 47); 'John Harefinch is owner of this book' (f. 74); John Harefinch is the

• Decorated initials 'S'(hal) and 'S'(oules) in the fourth book of Sidrak and Bokkus, with inscriptions, possibly 'Thomas Walker Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn' in the margin below., Sidrak and Bokkus

(?) (f. 88v); 'I tell you plyn of John Hanum [. . . ] (f. 102v); 'William Wylkensone' (f. 111v); 'Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn (f. 172); Harry bramam'

• Decorated initial 'I'(n) with foliate decoration including acanthus extending into the margins at the beginning of the text., The Prose Brut Chronicle of England (common version to 1430), including John Page's poem 'The Siege of Rouen' (imperfect)

to 1430), including John Page's poem 'The Siege of Rouen' (imperfect) John Awdeley: inscribed, 15th century, 'Jho John Awdeley squier' (f. 152). perhaps the younger brother of James Tuchet, 7th baron Audley (c. 1463- 1497); this John married an illegitemate

• Decorated initial 'A'(s) with pen-flourishing., Poems, imperfect

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon John Multon John Lydgate London England, S. E. (London)

• Detail of added marginal annotation (in the hand of Humfrey Wanley?)., Poems, imperfect

contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Added marginal annotation John Multon John Multon John Lydgate London England, S. E. (London)

• null, Liturgy of John Chrysostom, imperfect

decorated in red ink; large and small red initials, many decorated with foliate or geometric patterns. Liturgy of John Chrysostom, imperfect ? John Jackson (d. 1794), antiquary: his sale, 28 April, 1784, lot 337, possibly bought by Chapman for 2s.Charles

• Excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him as

• Detail of an excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

beginning of book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to