• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

Reynolds' , f. 116, and 'Anthony Harris of Cheston in the county of Suff', f. 92v, in the same hand). John Reynolds, 17th century: (inscription, f. 282v). ? Price: 'ei/r', f. i verso. Charles Burney (b. 1757, d. 1817), D.

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

Reynolds' , f. 116, and 'Anthony Harris of Cheston in the county of Suff', f. 92v, in the same hand). John Reynolds, 17th century: (inscription, f. 282v). ? Price: 'ei/r', f. i verso. Charles Burney (b. 1757, d. 1817), D.

• Detail of a miniature of a master and scholars., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Detail of a miniature of a master and scholars., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Detail of a miniature of God, with the instruments of Creation., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Miniature of diagrams showing the shape of the earth., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Circular diagrams and text., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Miniature of diagrams to show the shadow of the earth., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Miniature of the phases of the moon., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Miniature of the Universe as a diagram in various concentric circles, with Christ at the top, Hell in the centre, and symbols of the Four Evangelists in the corners., L'image du Monde

Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

Detail of text page f. I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v,

• Pen-flourished initials, Meditations on the Life of Christ

Pen-flourished initials Vertical catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater

• Historiated initial 'Q'(ui) of the Resurrected Christ, with foliate extensions and gold besants., Various religious texts, including De imitatione Christi, capitula (ff. 1-4)

Historiated initial 'Q'(ui) of the Resurrected Christ, with foliate extensions and gold besants. Written by several scribes, one of whom wrote the lists of ~capitula~ (ff. 1-4) and the text on ff. 5-106v. Several others wrote ff. 107-199 (see

• White vine initial 'C'(aius) with foliate extension., Epistolae, imperfect

White vine initial 'C'(aius) with foliate extension. f. 1* is a former pastedown.5 large white vine initials have been excised (ff. 50, 71, 89, 110, 134). Vertical catchwords. Ruled in hardpoint.Wants the first section of text; starts at Epistolae

• Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text., De Consolatione Philosophiae (index Consolation of Philosophy)

Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made in Florence in the late

• Full-page frontispiece of Homer seated in a landscape, encircled by a laurel wreath with eight medallions of the muses and, in the four corners, subsidiary medallions of four bearded figures holding books., Narratio de gente et vita Homeri, Verses on Homer, Iliad (ff. 16-239)

Full-page frontispiece of Homer seated in a landscape, encircled by a laurel wreath with eight medallions of the muses and, in the four corners, subsidiary medallions of four bearded figures holding books. f. 14 is a half sheet.f. 193

• Full white vine border in colours and gold, inhabited by birds and putti, with a title piece flanked by putti, a large white vine initial 'M' and, in the lower margin, a medallion designed for arms., Narratio de gente et vita Homeri, Verses on Homer, Iliad (ff. 16-239)

Full white vine border in colours and gold, inhabited by birds and putti, with a title piece flanked by putti, a large white vine initial 'M' and, in the lower margin, a medallion designed for arms. f. 14 is

• Historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

Pierre Berès 5th sale, 3rd part, at Drouot Richeliue, Paris, 13 December 2006, now in the Morgan Library). We thank John Bidwell, Astor Curator of Printed Books and Bindings, The Morgan Library & Museum, for this information.Thomas Shadford Walker (b.

• Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon., Historia naturalis (index Natural history)

Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon. The miniature was painted by Andrea di Firenze, according to unpublished notes of A.

• Detail of a white vine initial 'M'., Historia naturalis (index Natural history)

Detail of a white vine initial 'M'. The miniature was painted by Andrea di Firenze, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different