blue or red. Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43) Sir John Paston (II) (b.
blue or red. Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43) Sir John Paston (II) (b.
blue or red. Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43) Sir John Paston (II) (b.
Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition
Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle). f. 1* is a paper flyleaf with a table of contents.Vertical catchwords. 1 large initial in colours with foliate extensions and a man in academic
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
White vine initial 'O'(mnis) at the beginning of Sallust's Catilina. Catchwords written vertically.ff. 35 and 100v are ruled but left blank.According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made
Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black
Marginal drawings of Dante and Virgil entering Hell. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black ink of subjects
Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de
Text page. Probably the second of two volumes; the first volume is likely Modena, Bibl. Estense MS lat. 429 (α J.1.4) (see de la Mare 1984, p. 272).The scribe who copied this manuscript is known as the 'Omnium rerum'