• Full-page miniature of Luke painting seated at an easel supporting an arch-topped panel, and holding a brush and palette, with a winged bull, Luke's symbol, behind him, and a scroll bearing the opening words of Luke 1:5 ('Fuit in diebus Herodis'), with a full border including flowers, insects and a drum-beating ape., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a miniature of Luke painting seated at an easel supporting an arch-topped panel, and holding a brush and palette, with a winged bull, Luke's symbol, behind him, and a scroll bearing the opening words of Luke 1:5 ('Fuit in diebus Herodis')., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a miniature of pope John XII, at the beginning of chapter 7 of book 9., De casibus virorum illustrium in French translation (Des cas des ruynes des nobles hommes et femmes)

miniature of pope John XII, at the beginning of chapter 7 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke of Berry. The

• Detail of a miniature of the imprisonment of John of France, at the beginning of chapter 27 of book 9., De casibus virorum illustrium in French translation (Des cas des ruynes des nobles hommes et femmes)

of the imprisonment of John of France, at the beginning of chapter 27 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke of

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a

• Miniature of pope John XII, with a partial border, at the beginning of chapter 7 of book 9., De casibus virorum illustrium in French translation (Des cas des ruynes des nobles hommes et femmes)

of pope John XII, with a partial border, at the beginning of chapter 7 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke

• Miniature of the imprisonment of John of France, with a partial border, at the beginning of chapter 27 of book 9., De casibus virorum illustrium in French translation (Des cas des ruynes des nobles hommes et femmes)

the imprisonment of John of France, with a partial border, at the beginning of chapter 27 of book 9. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to

• Miniature of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons., Book of Hours, Use of Bourges

of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons. 13 full-page miniatures mostly with large decorated initials and full foliate borders,

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Decorated initial 'M'(ulta), and a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds,

• Lower part of a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds, with

• Detail of a miniature of Paul writing an epistle, with a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans., Pauline and Catholic Epistles in the Vulgate and Erasmian (~Novum Instrumentum~) versions

a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans. The wider column contains the Vulgate and