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"The Alliterative Morte Arthure, the Concept of Medieval Tragedy, and the Cardinal Virtue Fortitude." In Medieval and Renaissance Studies, ed. John M. Headley (Chapel Hill: University of North Carolina Press, 1968), pp. 95-118. [Diverges from Matthews and Benson to see
English Romance: Guy of Warwick, Amis and Amiloun, and the Squyr of Lowe Degre. Liverpool: University of Liverpool, 1984. Ford, John C. Merry Married Brothers: Wedded Friendship, Lovers Language and Male Matrimonials in Two Middle English Romances. Medieval Forum 3
a wedding in Cana, Christ turned six jars of water into wine, an act that John names as the first sign of Christ's power. See John 2:1-11. No doubt the linking of this story - along with the feeding of
Andreas Capellanus on Love, trans. P. G. Walsh (London: Duckworth, 1982), pp. 271-85, or The Art of Courtly Love, trans. John Jay Parry (New York: Norton, 1969), pp. 177-86. Another analogue, identified by Roger Sherman Loomis in his Arthurian Tradition
But it is also likely that the scribe meant bilden," to create." 39, s.d. Hic cantent angeli in celo. As John Stevens points out, The most frequent use of music in the plays is to symbolize heaven. . . .
treason (dragging by wild horses, drawing, and burning; or hanging in the gibbet) is described in 27.11012, 12932. 237 Compare John 19:36 which refers to the Passover lamb (Exodus 12:46 and Numbers 9:12) and the afflictions of the righteous (Vulgate
are so named in the Gospel of Nicodemus (S 2:513). 200 thre naylys. Not scriptural, but could be inferred from John 20:2527 when Thomas asks to see the resurrected Jesus' hands and side. It is very likely that the tradition
ear; (see note); (t-note) am not unless; (t-note) feeling Leave skipped over yes ill-considered [say] "stop" John Gower, Confessio Amantis, Book 7: Notes JOHN GOWER, CONFESSIO AMANTIS, BOOK 7: FOOTNOTES 1 In every matter, wise doctrine gains well-being, nor does
pregnancy of several biblical couples, including Abraham and Sarah in the Old Testament and Zacharias and Elizabeth, the parents of John the Baptist, in the New. For the medieval aristocracy, the failure to produce an heir had serious consequences, and
the wall of St. Swithin's church. It originally might have been a Roman milliarium stone, or milestone, which measured distances. John V. Morris's map of fourteenth-century London on p. 14 of Chaucer's London designates the "London Stone" as landmark no.
priest (and bishop) in The Roman de la Rose (lines 16272-20704), and as Venus' priest and the Lover's confessor in John Gower's Confessio Amantis. 57-73 Officium. The Officium (the Introit or entrance hymn) is a roundel, a short poem based
alone so that only Echo hears (and responds). 92-98 The story of the woman taken in adultery is told in John 8:3-11. In an unusual rhetorical move, the prisoner claims to be as innocent as she, for the purpose of
numbering adjusted accordingly to account for half lines. Scribes are identified as follows: Scribe A; Scribe B: main scribe; JC: John Clerke; LH: later scribal hand (unidentified). This and subsequent pageants copied by Scribe B unless otherwise noted. 1 DIABOLUS.
numbering adjusted accordingly to account for half lines. Scribes are identified as follows: Scribe A; Scribe B: main scribe; JC: John Clerke; LH: later scribal hand (unidentified). 1 PERIGRINUS. So throughout in Reg. That. In Reg, letter T is sketched
Dance of Death tradition, which is invoked in the title-page woodcut used for the editions of the play printed by John Skot. See Introduction, pp. 67. 8 more gracyous. More filled with grace (i.e., Gods saving grace). 10-11 in the
note) (see note) (see note) (t-note) (see note) Go To Appendix 1: A Translation of the Traiti (Quixley) John Gower, Cinkante Balades JOHN GOWER, CINKANTE BALADES: EXPLANATORY NOTES Abbreviations: Boethius: Boethius, Consolation of Philosophy; BD: Chaucer, Book of the Duchess;
interpreted as the Bride-Soul making her nest in Christ's wounded side; see Eric Colledge, The Mediaeval Mystics of England (London: John Murray, [1962]), pp. 11-13; Gray (1963), pp. 85, 129; Wimsatt (1978), pp. 338-40. Citing the mystical meanings attached to
The Chester Mystery Cycle: A New Edition with Modernised Spelling (Mills, p. 75, lines 298300) and in Audelays Poems of John Audelay. Br calls them Belgys and Refun; the name Geffron may have mistakenly occurred to Rate on the basis
Christ the new man, raised on the Cross even as Moses raised the serpent in the wilderness (Numbers 21:4-9; see John 3:14). The Biblia Pauperum ?e? juxtaposes Moses raising the serpent with the Crucifixion, where Christ on the Cross makes
archangel Michael is designated to bind Satan; among the apocalypse scenes in Great East Window in the Minster painted by John Thornton in 140508, Michael, who is chaining the Devil, holds a key; see French, York Minster: The Great East