Your search found 50 results in 1 resource
back turned) and birds, with two medallions of a squirrel and a pig (?) and including the first owner’s inscription in decorated panels. Parallel Hebrew foliation. Gilt edges.Censors’ erasures (e.g., ff. 2, 8v, 154, 155v, 178v, 183)Hair side and flesh
physician and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Plant and
calendar pages with tinted drawings in colours of the labours of the months and the signs of the zodiac, and various pictures and emblems representing saints' days and other feasts (ff. 5-16). Drawings in colours of notable events; written above
of a fox, having grown old and setting off on a pilgrimage, refusing the companionship of the watch-dog, the wild ass, the bear, the lion, the peacock, the wolf, the pig,and the mule, and choosing the companionship of the
drawing water and a pig being slaughtered. The date 1582 is inscribed in gold in a roundel on f. 15 and on blocks of stone on ff. 27, 28. 22 full page miniatures of alchemical subjects in colours and gold
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
border in gold and colours, with a bird (f. 54). Four partial borders in gold and colours (ff. 4, 18, 26, 43v). A historiated initial in gold and colours (f. 4) and other foliate initials in gold and colours. Unfinished
Donatian and Rogatian in red (24th May; venerated in Nantes and in the diocese of Meaux), and Fara (7th December, venerated in Faremoutier in Brie), but it includes as well both John and Genevieve (3rd January, f. 1), and the
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
the Vienna and Copenhagen Toison d’Or (ff. 14v, 281v, 284).Catchwords and bifolium signatures. Foliation in red beginning on f. 10.Written instructions to the illuminator. 5 half-page miniatures in colours and gold, with full borders, and initials in colours and gold
287). Catchwords and bifolium signatures. 143 historiated initials in colours, gold, and silver, with full borders, at the beginnings of biblical books and prologues and 1 miniature in the margin (f. 192v). 23 large foliate initials in colours and gold,
andsheep past a crippled and a king. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
and the Trinity (f. 108v). Small marginal calendar miniatures in colours and gold with the labours of the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red
colours and gold with foliate motifs and a partial border with rinceaux decoration in the outer margin (f. 1). Another large initial in colours and gold and foliate motifs (f. 119). Initials in red and blue with red and black
red and blue ground with a three-sided foliate border (f. 15). Small initials (2 lines) in gold on red and blue grounds with foliate extensions into the margins. Small initials (1 line) and line fillers in gold on red and
miniature of a man and a woman slaughtering a pig, representing December, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and 1292 by Matfré Ermengau of Béziers, and is an encyclopaedic
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters and guide-numerals. Bible with prologues, without