• The Norman Blake Editions of The Canterbury Tales

frere To preche and eek to begge it is no doute In which þer wente a lymytour aboute , A mersshy countre called holdernesse LOrdynges þer is in york schire , as I gesse Here begynneþ þe Somnours tale ,

• null, Château d'Amour, called 'The Myrour of Lewed Men' (translated into English)

(£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Flourished initials Robert Grosseteste York England, N. E.? (York)

• null, Register book of the Fraternity of Corpus Christi, York

15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty

• Decorated initials., Register book of the Fraternity of Corpus Christi, York

15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty

• Decorated initial 'H'(ec), at the beginning of the Liber ordinacionis fraternitatis Corporis Christi Eboracensis., Register book of the Fraternity of Corpus Christi, York

15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty

• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The