• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• Tables for determining the dominical letter and the golden number for the year 1425, and on the right, an illuminated initial 'M'(agna) at the beginning of the Speculum Christiani., Theological miscellany, entitled 'Speculum Christiani', including prayers and poetry in English, with dominical tables

on a blue and pink ground, with foliage sprouting from the corners (ff. 14, 20). Large initials in blue with red penwork decoration and pen-flourishing, often forming a partial border. Diagrams (f. 2v). Paraphs in blue. Line-fillers in blue. Highlighting

• Illuminated initial 'M'(agna) at the beginning of the Speculum Christiani., Theological miscellany, entitled 'Speculum Christiani', including prayers and poetry in English, with dominical tables

on a blue and pink ground, with foliage sprouting from the corners (ff. 14, 20). Large initials in blue with red penwork decoration and pen-flourishing, often forming a partial border. Diagrams (f. 2v). Paraphs in blue. Line-fillers in blue. Highlighting

• Manuscripts of the West Midlands

appearance. Body height: 2mm. Latin quotations in red. Two-line blue initials with red penwork flourishing begin new paragraphs. F. 12v: five-line gold champ init ial A on a quartered rose and blue ground with white line decoration and sprays of

• Manuscripts of the West Midlands

red preceded by blue paraph marks. Alternately blue on red and red on b lue. Recto folios - oxidised red paraphs suggesting the use of a different base. One-line blue initials with red penwork and red with blue before stanzas.

• Manuscripts of the West Midlands

and blue background. No other decoration excep t for two-line Lombardic capitals in blue with red penwork decoration to indicate the beginning of each section. Initial letters of each line are tinted in yellow. Other Litterae Notabiliores written in blue

• Manuscripts of the West Midlands

each line coloured red. Initial page, ten-line blue initial I with fine red penwork extending along left and top and bottom margin forming a border. Four-line blue initials with red penwork. Two-line blue initials with red penwork extending length of

• Manuscripts of the West Midlands

height: 2 mm. Initial page: five-line blue Lombardic initial with red penwork flourishing along top and left margin extending to another three-line blue Lombardic initial with red penwork forming a two-sided border. Four/five-line blue Lombardic initials with red penwork flourishing