• Miniature of Peter and Margaret., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

gold on red and blue grounds, at the beginning of prayers (ff. 74, 113v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of Catherine., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

gold on red and blue grounds, at the beginning of prayers (ff. 74, 113v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of Christopher and Barbara., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

gold on red and blue grounds, at the beginning of prayers (ff. 74, 113v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Illuminated initial 'D'(ilexi) with border., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

gold on red and blue grounds, at the beginning of prayers (ff. 74, 113v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• Miniature of a bishop's consecration with the unidentified coat of arms of a bishop in the lower border, supported by unicorns and enclosed in a wreath with the motto 'In deo est mea gloria'., Consecratio episcopi (index Bishop's consecration)

a blue panel. Numerous smaller initials in gold on a blue or red panel. Crosses in gold on a blue or red panel to indicate where the sign of the cross should be made. Line-fillers in gold on blue or

• Miniature of the Deposition and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

gold on red and blue grounds, at the beginning of prayers (ff. 74, 113v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing.

• null, De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in red, or red and other colours (ff. 77v,

• null, De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in red, or red and other colours (ff. 77v,

• Historiated initial with the Virgin and Child and the donor, at the beginning of a prayer., Book of Hours, Use of Tournai

Smaller initials in gold on red and blue grounds (2 lines) accompanied by partial foliate boarders, in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Book of Hours, Use of Tournai

• Historiated initials with Catherine, at the beginning of her suffrage., Book of Hours, Use of Tournai

Smaller initials in gold on red and blue grounds (2 lines) accompanied by partial foliate boarders, in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Book of Hours, Use of Tournai

• Historiated initial with Michael and the dragon, at the beginning of his suffrage., Book of Hours, Use of Tournai

Smaller initials in gold on red and blue grounds (2 lines) accompanied by partial foliate boarders, in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Book of Hours, Use of Tournai

• Detail of a marginal painting of an angel holding aloft a banner with Edward IV's colours of red and blue., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of the Annunciation and decorated initial 'D'(omine), at the beginning of the Hours of the Virgin., Book of Hours, Use of Toul

of the calendar in blue on gold grounds (f. 3). A few small initials (1-2 lines) in red with brown pen-flourishing or in blue with red pen-flourishing. Small initials (1-2 lines) in plain red or blue. Capital letters highlighted in

• Miniatures of the Arms of the Passion facing the beginning of the Hours of the Cross., Book of Hours, Use of Toul

of the calendar in blue on gold grounds (f. 3). A few small initials (1-2 lines) in red with brown pen-flourishing or in blue with red pen-flourishing. Small initials (1-2 lines) in plain red or blue. Capital letters highlighted in

• Decorated initials., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Text page., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Text page., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Cadel., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Text page., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Decorated initial., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or