• Explicit of the first text: 'Explicit liber q[ue] intitulatur liber niger qui fuit inventus cu[m] cruce magna de Waltham S[an]c]t]e Crucis'., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany' ; beginning and end imperfect), part 2

Naworth Castle, Cumberland, the younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk (see Bernard 1697). John Warburton (b. 1682, d. 1759), of Bury, county Lancashire, antiquary and herald, Somerset Herald in 1720: sent in by

• Coloured initials in a text page of the chronicle., Chronicle, AD 1-1135 (ff. 34-61), with additions up to 1266 (ff. 61v-73)

Coloured initials in a text page of the chronicle. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost.

• Title page and interlace initial 'P'(rincipium) with animal heads and mask., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Title page and interlace initial 'P'(rincipium) with animal heads and mask. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was

• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Coloured initials. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Coloured and decorated initials. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Diagram. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices

• Text page at the beginning of Abbo of St-Germain's ~Bella Parisiacae urbis~, book 3, with red initial and highlights., Alcuin, De orthographia (ff.1-24v); Bede, De orthographia (ff. 24v-71); Bella Parisiacae urbis, book 3 (Ad clericos) (ff. 71v-84); unidentified smaller text with glossary material (ff. 84-86v); De nuptiis Philologiae et Mercurii, book 4 (De arte dialectica) (f. 87-149); Glossaries to Greek and Latin grammar texts, including lists of grammatical and metrical terms and glosses to Juvenal (ff. 150-167v).

Text page at the beginning of Abbo of St-Germain's ~Bella Parisiacae urbis~, book 3, with red initial and highlights. Ruled in hard-point. Glosses to Bede and Abbo. A variety of small marginal marks between ff. 1-71v; corrections and erasures

• Initial 'I' with foliate decoration., Ceasarius's 'Sermones' (ff. 1-53v), and Gregory's 'Dialogi', Books 1-4, imperfect at the end (ff. 55-130v)

da Forlì, chancellor of Pistoia (ff. 1, 135), and Franciscus Luce; 15th-century pressmark 'E.V.' (ff. 133, 191v; see Wright 1972). John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 22 June 1726 (Wright and Wright 1966; Wright 1972).The Harley

• Coloured initials with the hymns for vespers on the day for the commemoration of the birth of Cuthbert. The words of the songs are written in black, while the terms identifying them (such as 'a' for 'antiphon', 'pt' for 'psalm' or 'responsory') are written in red. Above each line, the music is written in Breton neumes., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Coloured initials with the hymns for vespers on the day for the commemoration of the birth of Cuthbert. The words of the songs are written in black, while the terms identifying them (such as 'a' for 'antiphon', 'pt' for

• Detail of historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

Detail of historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs. Nero C. vii (ff. 29-79), Harley 315 (ff. 1-39), and Harley 624 (ff. 84-143) are fragments of one volume.

• Historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

Historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs. Nero C. vii (ff. 29-79), Harley 315 (ff. 1-39), and Harley 624 (ff. 84-143) are fragments of one volume. According to

• Decorated foliate initial 'A'(d te) with acanthus leaves combined with a partial bar border with interlace, ending in foliate tendrils., Missal, Use of Sarum, adapted for the diocese of Norwich

a calendar including, in red: Wulstani, Cedde (bishop of London), Edwardi, Cuthberti, Vitalis, translation of Edmund (x 2), Johannis beverlaci (John of Beverley), Dunstani, Aldelini, translation of Richard, translation of Edward (x2), Albani, translation of Thomas Becket (erased), translation of

• Detail of decorated initial 'D'(efuncto) at the beginning of Book II of Eadmer's Life of Anselm of Canterbury., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

Detail of decorated initial 'D'(efuncto) at the beginning of Book II of Eadmer's Life of Anselm of Canterbury. Nero C. vii (ff. 29-79), Harley 315 (ff. 1-39), and Harley 624 (ff. 84-143) are fragments of one volume. According to