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Calligraphic specimen with a large initial 'U'(n) and an illuminated border with the name and emblem of Daniel Barbaro. f. 1 is a paper flyleafContains various arms and names, including those of Cosimo de Medici, Duke of Florence (ff.
Detail of a decorated initial 'P'. Includes Ambrose, Commentary on Luke (ff. 2-105v), Bernard of Clairvaux, Sermones, attributed here to Anselm of Canterbury, imperfect (ff. 105-108), Honorius Augustodunensis, Gemme animae sive De divinis officiis (ff. 109-173v) and Tractatus de
Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter. Includes the Commentary on Catholic Epistles (ff. 4-86v) and the Commentary on Tobit (ff. 86v-95) by Bede, with the 'nota' signs and tituli in the
Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude. Includes the Commentary on Catholic Epistles (ff. 4-86v) and the Commentary on Tobit (ff. 86v-95) by Bede, with the 'nota' signs and tituli in the
Display script at the beginning at the commentary to Psalm 101. Prefixed by a summary of contents (ff. 1v-5v).In the catalogue of the Lumley Library considered as a second volume of a set of two manuscripts; the first volume
Inhabited initial with a display script at the beginning at the commentary to Psalm 101, and the ownership inscription of Thomas Cranmer, reading 'Thomas Cantuaren[sis]'. Prefixed by a summary of contents (ff. 1v-5v).In the catalogue of the Lumley Library
Initials 'P'(salmos) and 'M'(agnus). Prefixed by a summary of contents (ff. 1v-5v).In the catalogue of the Lumley Library considered as a second volume of a set of two manuscripts; the first volume is Royal 5 D IV.Quire signatures. Instructions
Decorated initial 'G'(loriosis) at the beginning of book 1. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with
Decorated initial 'D'(iligentius) at the beginning of book 7. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with
Decorated initial 'P'(ost) at the beginning of book 16. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with
Decorated initial 'N'(unc), at the beginning of book 8. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with
Initial 'M' with penwork decoration in leaf patterns and capitals on coloured grounds. An addition in a later hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by
Text page. An addition in a later hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled
Large initial 'V' with penwork decoration (incomplete). An addition in a later hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus