• CP.F.36

York (Ebor') : city Location: York (Ebor') : diocese Location: York, All Saints (pavement) (Yorkshire) Place(s): York, All Saints (Pavement) (parochia de omnium sanctorum, parochia de omnium sanctorum super le paviment', omnium sanctorum super pavimentum) : ecclesiastical parish Location:

• CP.F.62

male; 40 Location: York, St Helen (on The Walls) (Yorkshire) Place(s): York, St Helen (On the Walls) (Sancta Elena extra muros) : ecclesiastical parish Notes: g Location: York (Ebor') : city Location: York (Ebor') : diocese Location: York : city

• CP.F.61

male; 40 Location: York, St John (micklegate) (Yorkshire) Place(s): York, St John (Micklegate) (Sanctus Johannes ad pontem Use) : ecclesiastical parish Participant: WilliamParker [Parker; Parkour] Role: witness Details: male; 30 Location: York, St John (micklegate) (Yorkshire) Place(s): York, St John

• CP.F.371

York (Ebor) : undefined Participant: WilliamRillington [Rylyngton] Role: witness Details: male Location: York (Ebor) : undefined Location: York (Ebor) : undefined Location: York, Holy Trinity (goodramgate) (Yorkshire) Place(s): York, Holy Trinity (Goodramgate) (sancta Trinitas Goderamgate) : ecclesiastical parish Location:

• CP.F.40

Participant: WilliamMarton [Marton] Role: defendant Details: male Location: York (Ebor') : undefined Participant: IsabelEston [Eston] Role: witness Details: female Participant: CeciliaForest [Forest] Role: witness Details: female Location: York, St Wilfrid (Yorkshire) Place(s): York, St Wilfrid (Sanctus Wilfridus) : ecclesiastical parish

• Historiated initial 'N' (cropped; the lower part of the letter is visible at the top right of the miniature) of the Last Supper beneath a cartouche inscribed in capitals 'Desiderio desideravi / hoc pascha manduc / are vobiscum', surrounded by a frame composed of four cuttings., Cuttings from a Missal of Paul III

Copenhagen, Det Kongelige Bibliotek, Fragment 1959/123 and former New York, Breslauer Collection (from A.II.14; see William M. Voelkle and Roger S. Wieck, ~The Bernard H. Breslauer Collection of Manuscript Illuminations~ (New York: Pierpont Morgan Library, 1992), cat. no. 91). 1

• Border of floral motifs and bezants with a medallion inscribed 'L.X.P.M.', the initials of Leo X, surmounted by a seated, winged putto, measuring 430 x 45 mm., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• Border of floral motifs and bezants with a winged putto holding a tablet inscribed 'L.X.P.M.', the initials of Leo X, and Medici device of a diamond ring with three feathers and motto 'Semper'. The present border is composed of three cuttings, measuring 205 x 45 mm, 135 x 45 mm and 185 x 45 mm., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• Border of floral motifs and bezants with a kneeling winged putto and the Medici device of a diamond ring with three feathers and motto 'Semper'. The present border is composed of two cuttings, the first measuring 200 x 45 mm and the second 240 x 45 mm., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• Border of floral motifs, bezants and a zoomorphic lion's head with a winged putto standing on a medallion inscribed 'L.X.P.M.', measuring 455 x 45 mm., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• Manuscripts of the West Midlands

in Pearsall, D., ed, New Directions in Later Medieval Manuscript Studies. Essays from the 1998 Harvard Conference , York: The University of York Centre for Medieval Studies, pp. 103-129. McIntosh, A., Samuels, M. L. and Benskin, M. 1986. A Linguistic