• Decorated initial 'O' at the beginning of a series of hymns added to the manuscript in the middle of the twelfth century., Canticles, litany, and collects (ff. 135-144v); Hymnal and Office of the Dead (ff. 147-170v)

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Coloured initials., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Coloured initial 'C', with a cross in the upper margin., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Coloured initial 'Q'(uare) at the beginning of Psalm 2., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Text page., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Detail of coloured initial., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Detail of text., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Detail of text., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Easter table, in an architectural frame., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• An Easter table, with tinted drawing depicting Pachomius receiving the tables from an angel, with the words on the scroll handed to the saint by the angel the same as those written immediately below. This pair of arches is one of a series containing texts related to the calculation of the date of Easter, which were supposed to have been given to Pachomius (died c. 346) by an angel., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Ink drawing of canon tables, with a monk above pointing to an open book with his left hand; the gesture of his right hand, shared by the other two monks, may indicate that they are debating with one another. However, it has also been suggested that this monk is Benedict, perhaps expounding his monastic rule., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence, Laurenziana Plut. XVII 20; parts of Harley 603; and some charters

• Text page., Bifolium from Aelfric's 'Grammar', cropped

Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS. 12 (see Wallner 1988).Entire collection:John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of

• Text page., Leaf from Justinus's 'Epitome historiarum Trogi Pompeii', cropped

Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS. 12 (see Wallner 1988).Entire collection:John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.