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(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
laudibus virginitatis; letter of Aldhelm to Ehfridus Added fragment of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed
Decorated initial 'S' (epe et multum) at the beginning of Cicero's De inventione, Book I, with ownership inscriptions for Thomas Cranmer (Thomas Cantuarien[sis]) and Lumley. 1 large puzzle initial in red, blue, green, and yellow with foliate motifs, at
the Harley manuscripts form one of the foundation collections of the British Library. Decorated and coloured initials Geoffrey of Monmouth (index Galfridus Monumetensis), Bernard of Clairvaux (index St Bernard, Bernardus Clarevallensis), Innocent III, John of Metz (index Johannes Metensis) England
or brown (ff. 1-14). Line-filler with geometric decoration in red and black (f. 218v). Psalter, imperfect, including Odes (ff. 219v-232v) John Covel (b. 1638, d. 1722), chaplain to the Levant Company at Constantinople, 1670-1676, and later Master of Christ's College,
for you and from his side produced the water of baptism, and made baptism red by his blood. Elizabeth bore John, Anna bore Mary, the Virgin Mary bore Christ the saviour of the world, who will free you [name] from
Calendar page for January, with marginal scenes, including the water carrier, Aquarius. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts
Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution
(b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton: acquired by him from the library of John Dee in 1625 (see Watson 1966; Wright 1972). Sir Simonds D’Ewes (d. 1722), 3rd baronet and grandson of the
Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin. The manuscript was severely damaged
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in