a humanistic hand by Giovanni da Stia. Ownership inscriptions of John Blaxton in the upper and lower margins. For a more detailed list of contents, see ~Catalogue~ 1808.List of contents (f. 177v).Two fragments from the Life of Sertorius found by
(f. 1, damaged). Initials in blue with red pen-flourishing. The Prose Brut Chronicle of England (extended version to 1430), including John Page's poem 'The Siege of Rouen' Pressmarks '96' and 'I7' (f. 1).Henry ?Brayne, 16th century: inscribed 'Thys whas wryttyn
106, 107v). ?Mark Frank (bapt. 1612, d. 1664), college head and theologian, Master of Pembroke College, Cambridge, 1662-1664: inscribed by John Covel ''Bought this out of Dr ?Franckus his library. It is well worth 15 S.' (f. 1*).John Covel (b.
zoomorphic decoration. Notes added by John Covel (before 1715). The manuscript also includes:Table of contents for Aetius's Book 3 (ff. 2*-4*, 1);Recipe for the eyes (f. 1);Table of contents for Aetius's Book 4 (ff. 51v-53);Plant vocabulary in Greek and Syriac
with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red
with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red
inscribed 'Lib[er] Caroli Theyer' (f. 296v).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 289.Charles
Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration
Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium