initial in red and blue with pen-flourishing (f. 1). 1 large initial in blue with red pen-flourishing (f. 15). Small initials, alternately red or blue; with pen-flourishing in the other colour (ff. 1-15). Simple initials in blue (ff. 1-10v) or
Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain various pen trials. Initials in blue with red penwork decoration and pen-flourishing. Initials in red or blue. Paraphs in blue or red. Highlighting of initials in red. Rubrics in red. On ff.
Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain various pen trials. Initials in blue with red penwork decoration and pen-flourishing. Initials in red or blue. Paraphs in blue or red. Highlighting of initials in red. Rubrics in red. On ff.
beginning of Psalm 1. Beginning with a calendar (ff. 1-5v, lacking the end) including in blue: Judoci (9 Jan.), in gold: Valentini (14 Feb.), Barnabe (11 June), Grimbaldi and his translation (8 July, and 3 Sept. in red), translatio reliquiarum
beginning of Psalm 38. Beginning with a calendar (ff. 1-5v, lacking the end) including in blue: Judoci (9 Jan.), in gold: Valentini (14 Feb.), Barnabe (11 June), Grimbaldi and his translation (8 July, and 3 Sept. in red), translatio reliquiarum
in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green and/or red (ff. 35v, 43v, 56v, 88, 88v, 95v, 104). Small initials in plain red, green or blue, sometimes with ornamental
in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green and/or red (ff. 35v, 43v, 56v, 88, 88v, 95v, 104). Small initials in plain red, green or blue, sometimes with ornamental
in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green and/or red (ff. 35v, 43v, 56v, 88, 88v, 95v, 104). Small initials in plain red, green or blue, sometimes with ornamental
in gold on a blue ground (f. 16). 7 large initials in red, green or blue, decorated in green and/or red (ff. 35v, 43v, 56v, 88, 88v, 95v, 104). Small initials in plain red, green or blue, sometimes with ornamental
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate
the text (f. 2). 10 large initials in blue ink marking each chapter (ff. 5, 8v, 12, 15v, 19, 23, 26v, 29, 34v, 37v). Smaller initials and paragraph marks in alternating blue or dark red. Trionfi (index Triumphs) Defaced arms
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in