• Drawing of a diagram of the vision of Claudius Senator, and a drawing of a diagram of 'labarum Constantini.', Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis Beate Marie

in ink of candelabres, and of a human head (ff. 2, 238). Initials in blue with red pen-flourishing or in red with blue pen-flourishing. Notabilia in blue or red frames. Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis

• Puzzle initial 'I'(n principio) at the beginning of the text., 'Breviarium Bartholomei', with glosses and recipes by John Dee

large puzzle initials in red and blue with red, purple, blue or black flourishing (ff. 6, 21v, 58, 83v, 96, 114, 131v, 136, 158v, 189, 196, 202, 240v, 282, 289v). Smaller initials in blue with red pen-flourishing. Cadels in the

• Historiated initial 'I'(nter) of the four Evangelists with their symbols, with a full border containing two peacocks, a bird and arms of Grey, at the beginning of the De consensu evangelistarum of Augustine., De consensu evangelistarum, De musica

colours and gold with full border, at the beginning of the text (f. 1). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing. De consensu evangelistarum, De musica Probably made for a member of the Grey family:

• German glosses on the Isidore text., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Text with diagrams., Etymologies; De natura rerum (ff. 154-166), and other short texts

brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial in

• Colophon in column 1., Etymologies; De natura rerum (ff. 154-166), and other short texts

in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial

• Drawing of busts in a genealogical tree starting with Adam, with a standing figure of God at the top., Etymologies; De natura rerum (ff. 154-166), and other short texts

with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119).

• Full page tree of consanguinity with busts, Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Drawing of busts in a genealogical tree for the second age., Etymologies; De natura rerum (ff. 154-166), and other short texts

with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119).

• Drawing of busts in a genealogical tree., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Drawing of busts in a genealogical tree., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Drawing of busts in a genealogical tree., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Zoomorphic initial 'V'(etus) with dragons., Etymologies; De natura rerum (ff. 154-166), and other short texts

in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial

• Decorated initial 'B'(eatissimus) with clasps., Etymologies; De natura rerum (ff. 154-166), and other short texts

in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial

• Decorated initial 'P'(rimo)., Commentary on the Song of Songs, followed by other texts (ff. 2-104v); Commentary on Acts of the Apostles (ff. 105-152v); Commentary on Catholic Epistles (ff. 153-222); Homiliae (ff. 223-251); Commentary on Tobit (ff. 252-258)

and/or alternate colour and occasionally in blue. 1 large initial in red and green, decorated with foliate motifs in both colours (f. 57). Smaller initials in red or green. Display script in green, red, blue and mauve. Rubrics in red,

• Initial 'I'(n principio) with the eagle, symbol of John in a medallion, at the beginning of John., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'P'(aulus) with dragons, and display script, at the of the Commentary on the Pauline Epistles of Florus of Lyon, and in the lower margin, the typical (but partially erased) Rochester ownership inscription, naming Baldwin, archbishop of Canterbury from 1184 to 1190., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Inhabited initial 'D'(ici) with lions and dragons, at the beginning of the Enchiridion of Augustine., Enchiridion

1 inhabited initial in colours, with display script, at the beginning of the text (f. 1). Initials in red, brown, blue, or green, at the beginning of chapters. Enchiridion The Benedictine abbey of St Augustine, Canterbury: included in the catalogue

• Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and