• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Decorated initial 'C' with a fox in a monk's habit., Canon medicinae

52, 68v, 73v, 77v, 91,189, 192v). Large and small initials in plain red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Canon medicinae Inscribed by 1362, 'Anno domini m^o^ ccc^o^ lxii^o^. 20 die

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Illuminated initial 'Q'(uare) and a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to

• Detail of a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two

• Drawing of Appas, in a monkish habit, gives poison to King Ambrosius., Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

in a monkish habit, gives poison to King Ambrosius. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of

• Puzzle initial 'A(nno), with penwork decoration in the form of leaves., Polychronicon to the year 1352, with table

with penwork decoration in the form of leaves. Puzzle initials in red and blue with red and blue penwork decoration extending into the margin. Large initials in blue or red with penwork decoration, often extendinig into the margins, and in

• Historiated initial 'B'(eatus) with king David playing the harp, at the beginning of Psalm 1., Psalter, followed by Canticles, Litany, and Office of the Dead, adapted to the use of Ely

in gold on red and blue grounds, 1 accompanied by a three-sided border added in the 14th century (f. 2). Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing, some decorated with

• Historiated initial 'D'(omine) with a nun/abbess in prayer, at the beginning of Psalm 101., Psalter, followed by Canticles, Litany, and Office of the Dead, adapted to the use of Ely

in gold on red and blue grounds, 1 accompanied by a three-sided border added in the 14th century (f. 2). Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing, some decorated with

• Puzzle initial 'A'(ppellationibus), in Bartolus de Saxoferrato's Commentary on the first and second part of the New Digest., Commentary on the first and second part of the Digestum novum

blue with pen-flourishing in blue and red (ff. 1, 55, 140, 299). Smaller and small initials in red with blue penwork decoration or pen-flourishing or in blue with red penwork decoration or pen-flourishing. Paraph marks in plain red or

• Miniature of two banners, of Anjou (fleur-de-lys on blue ground) and another in yellow and red, kept by a young man., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Decorated initial and border., Prayer book

in red and blue with pen-flourishing in red and green wash (f. 132). Smaller initials in red or blue, many with reserved designs, with red foliate pen-flourishing, many with green wash. Small initials in plain red or blue. Prayer book

• Decorated initial 'S' (epe et multum) at the beginning of Cicero's De inventione, Book I, with ownership inscriptions for Thomas Cranmer (Thomas Cantuarien[sis]) and Lumley., De inventione (index Rhetorica)

and Lumley. 1 large puzzle initial in red, blue, green, and yellow with foliate motifs, at the beginning of the first book (f. 1). 1 large initial in blue with red and blue pen-flourishing 'C'(rotoniate) at the beginning of the

• Flourished initial., Divina Commedia (Inferno, Purgatorio, Paradiso)(index Divine Comedy)

Flourished initial. 3 large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 2, 56, 104). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, Paradiso)(index Divine Comedy)

• Miniature of the Mass and decorated initial with border., Missal, Dominican use

183, 187, 193, 198). Smaller puzzle initials in gold or red and blue with pen-flourishing in blue and red. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Missal, Dominican use The calendar includes Martialis (16

• Historiated initial of a saint with border., Missal, Dominican use

183, 187, 193, 198). Smaller puzzle initials in gold or red and blue with pen-flourishing in blue and red. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Missal, Dominican use The calendar includes Martialis (16

• Miniature of Michael and the dragon, and border with dragon, at the beginning of his office., Missal, Dominican use

183, 187, 193, 198). Smaller puzzle initials in gold or red and blue with pen-flourishing in blue and red. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Missal, Dominican use The calendar includes Martialis (16

• Detail of historiated initial of Christ showing his wounds, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Miniature of the Crucifixion with a couple in prayer, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated