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The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;
colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke
Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces
Two-page bas-de-page scene of jousting with lades watching. Contains the first part of the romance of Guiron le Courtois (also known as Meliadus or Palamedes). It ends with Meliadus' reluctance to support Arthur in his battle against Claudas (Lathuliere,
Detail of a miniature of kings playing a board game. Contains the first part of the romance of Guiron le Courtois (also known as Meliadus or Palamedes). It ends with Meliadus' reluctance to support Arthur in his battle against
or blue. Diagrams in red or brown. Polychronicon to the year 1352, with table Added, near comtemporary text (ff. 238v-239v). John Macclesfield, in 1416-1417: inscription (f. 6v).John Hunt: 18th-century inscription (f. 2). W. Ford: his note about the manuscript pasted
de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis mille peractis. Et
6v, 7, 12v). Spaces for initials left blank from ff. 45-47 and f. 62 to the end. Cartulary of John Blaunchard John Blaunchard, archdeacon of Worcester (reigned 1371-1383), relating to the manor of Barford St Martin, Wiltshire.William George Richard Stanley
6v, 7, 12v). Spaces for initials left blank from ff. 45-47 and f. 62 to the end. Cartulary of John Blaunchard John Blaunchard, archdeacon of Worcester (reigned 1371-1383), relating to the manor of Barford St Martin, Wiltshire.William George Richard Stanley
in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the
in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the
in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the
University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
a bishop saint (probably Augustine) and monastic saints John Gualbert (top right), Maurus and Placidus in Camaldolese habits. Italian cutting.The present initial is boxed with Add. 37472, ff. 1-2, 4-7. To see this initial in the Manuscripts Reading Room order