• Colophon of Antonio Beccaria of Verona, reading 'Athanasii viri sanctissimi de unitate substantiae deitatis / dialogus ex Graeco in Latinu[m] conversus per Antonium / Becariam Veronesem ad serenissimu[m] principem d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer., Theological treatises

d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection

• Marginal miniatures of the kingship ritual in Trirconnell of killing of the white mare, the bath of a king in a stew of mare's meat, and eating of the meat by the king's supporters; and on the opposite page, two men of Connaugh in a boat called a curragh and an Irishman riding bare-chested on a horse., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Marginal miniatures of examples of bestiality: the Cow-stag of Chester, the woman of Connaught embracing a goat and Joanna of Paris embracing a lion, with an Irish cockerel, and Kevin of Glendalough allowing a bird to nest in his hand., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);

• Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text., Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome of Livy) (ff. 138-176v)

Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text. Giovanni di Stia was a Florentine notary.Explicit followed by 4 verses 'Roma vetus veteres […] Quorum consilio precipitata ruis'

• White vine initial 'H'(erbarum) with a butterfly., De viribus herbarum

White vine initial 'H'(erbarum) with a butterfly. ff. 1 and 2 are parchment flyleaves.ff. 1 and [46] are former pastedowns.Marginal notes list ailments for which the various herbs are recommended. 1 large white vine initial in gold, purple, blue

• Miniature of Saturn devouring his children, Pharoah's men drowning in the Red Sea, the plague of heat during Cecrop's reign in Athens, and Procne serving the head of his son to Theseus, possibly retouched, with calligraphic initial 'T(he), and illuminated initialls 'O'(f) and 'T'(his)., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Saturn Giovanni Boccaccio, translation by John Lydgate based on translation by Laurent de Premierfait England, S. (Bury St Edmunds?)

• Miniature of the Creation of Eve, and a full foliate border, at the beginning of an extract from the Old Testament., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Trinity, decorated initial 'D'(eus), and full foliate borders, at the beginning of the suffrages., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Annunciation, full foliate borders including prophets and heraldic arms, at the beginning of the Hours of the Virgin., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Nativity., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Trinity., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Crucifixion., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Resurrection., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of the Trinity, with Christ on a crucifix., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of a woman in prayer before the Virgin and Child., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of Peter., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of Stephen., Book of Hours ('The Entwisle Hours'), Use of Sarum

of Hours ('The Entwisle Hours'), Use of Sarum ? Sir Bertin Entwisle (d. 1455), and his wife Lucy, daughter of John Ashtan, whom Bertin married in 1437: arms (f. 41), and portrait of a lady (f. 125).Inscribed 'Baronstad' (f. 153).Sir

• Miniature of John the Evangelist writing on a scroll on the island of Patmos, with his symbol, the eagle, nearby; behind him a demon peeks around a rock and upsets John's inkwell, with full foliate borders, at the beginning of the Gospels., Book of Hours, Use of Rome ('The Dunois Hours')

of John the Evangelist writing on a scroll on the island of Patmos, with his symbol, the eagle, nearby; behind him a demon peeks around a rock and upsets John's inkwell, with full foliate borders, at the beginning of the

• Miniature of John the Evangelist, holding a martyr's palm and a chalice in which a spider spins, with a full foliate border, at the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

of John the Evangelist, holding a martyr's palm and a chalice in which a spider spins, with a full foliate border, at the beginning of his suffrage. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to