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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1264 results from this resource . Displaying 341 to 360

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

White vine initial 'O'(mnis) at the beginning of Sallust's Catilina. Catchwords written vertically.ff. 35 and 100v are ruled but left blank.According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made

Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black

Three-sided white vine border with gold initial 'V'(os) and mutilated arms in the lower margin. ff. 1-2 are parchment leaves with various inscriptions.ff. 162 is a blank, ruled folio with inscriptions on the verso.Horizontal catchwords. Three-sided white vine border,

Marginal drawings of Dante and Virgil entering Hell. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black ink of subjects

Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by putti, and a white vine initial 'L'(ibros). There is a ruled leaf after f. 175.Ruled in

Decorated initials 'A'(nimis nostris) and 'Q'(uerenti mihi sepenumero). ff. 49-50 are blank paper leaves, apart from headers in brown ink. Full border in orange and purple ink with 1 large initial in red with orange and purple penwork decoration

Detail of a folio: Incipit: 'ramento capitur cum cetera…' Explicit: 'quinquagenas libras lundens cumi' There is a ruled leaf after f. 175.Ruled in plummet; horizontal catchwords. Three-sided white vine border in colours and gold, inhabited by birds, with the

shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.

Foliate border with large roundels of putti with heraldic devices, smaller roundels with portraits of philosophers, the coat of arms of Aragon, and a portrait of Plato. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo

Illuminated initial 'Q'(uum) on a panel ornamented with white vine decoration, inhabited by putti and a hare. This is the second of two volumes. Vol. I: Harl 3481.Horizonal catchwords.Matteo Felice was active in Naples in the 2nd half of

in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon

shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.

Decorated iInitial 'Q'(uoniam) with foliate decoration, at the beginning of the prologue to Josephus's De bello Judaico. 2 large initials in colours, at the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in

Puzzle initial 'N'(eronem) at the beginning of Book 3 of Josephus's De bello Judaico. 2 large initials in colours, at the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue,

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 7 June 2024), https://www.manuscriptsonline.org/search/results?ct=lm&kw=john&sdf=1466&sdt=1497&sr=ci&st=340