• Text page with marginal geometric drawing., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

Text page with marginal geometric drawing. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek, Cod.

• Zoomorphic initial 'A'(eft) with two creatures and vine interlace patterns at the beginning of Book IV, Chapter i., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

the beginning of Book IV, Chapter i. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek,

• Zoomorphic initial (A)'E'(ft) with four heads and interlaced bodies at the beginning of Book III, Chapter i., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

the beginning of Book III, Chapter i. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek,

• Zoomorphic initial 'U'(re) with 3 heads and interlaced bodies at the beginning of Book I, Chapter i., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

the beginning of Book I, Chapter i. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek,

• Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

poem in Latin or OldEnglish. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned

• Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin and Old English above the lines., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Latin and OldEnglish above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader,

• Text pages containing incantations of Irish origin with an added inscription in Old English (f. 40v); formulae of confession and absolution (f. 41)., Extracts from the Gospels and prayers ('The Book of Nunnaminster')

Text pages containing incantations of Irish origin with an added inscription in OldEnglish (f. 40v); formulae of confession and absolution (f. 41). One of a group of Southumbrian prayerbooks of the "Tiberius" group, the others being Harley 7653, and

• The first canon table with a zoomorphic decoration in the 'Trewhiddle Style'., Gospels, imperfect (the 'Royal Bible')

hand responsible for glossing the Vespasian Psalter, Cotton MS Vespasian A I, the oldest extant translation of Scripture into OldEnglish. 1 incipit page with miniature of an ox, the symbol of Luke, with God blessing, and an initial in

• Inscription about the manuscript’s Canterbury provenance, with an Old Royal Library seal of a ship in the bottom right corner., Etymologiae

Canterbury provenance, with an Old Royal Library seal of a ship in the bottom right corner. Preceded by letters between Isidore and Braulio, bishop of Saragossa (ff. 2-3v). Initials in red, green, purple, or yellow, some with arabesque decoration (ff.

• Detail of the figures highlighted in green, in the chapter 'De figuris'., Etymologiae

(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Figures Written probably by three scribes Isidore England

• Text page., Etymologiae

[Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Written probably by three scribes Isidore England

• Text page with erasures and corrections in a different hand., Etymologiae

[Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Written probably by three scribes Isidore England

• Text page., Etymologiae

[Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Written probably by three scribes Isidore England

• Detail of a diagram of a 'T-O' map of the inhabited world, showing the relative positions of the three continents., Etymologiae

(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Map Written probably by three scribes Isidore England

• Symbols highlighted in green, in the chapter 'De notis sententiarum.', Etymologiae

(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Symbols Written probably by three scribes Isidore England

• Text page with figures highlighted in green, in the chapter 3, 'De figuris'., Etymologiae

(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Figures Written probably by three scribes Isidore England

• Diagram of affinity., Etymologiae

(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagram Written probably by three scribes Isidore England

• Diagram of a 'T-O' map of the inhabited world, showing the relative positions of the three continents., Etymologiae

(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Map Written probably by three scribes Isidore England

• Diagram of the positions of the moon and drawings of the forms of the moon., Etymologiae

manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagram and forms of the moon Written probably by three scribes Isidore England

• Decorated initial 'I'(n), at the beginning of the book Ezra., Job and Ezra, with prologues

sketch of Christ on the Cross, 12th century (back flyleaf). Job and Ezra, with prologues Re-written and restored by an English hand, of the Canterbury type, in the second half of the 10th century, according to Gameson.? Thomas Howard (b.