• Decorated initial 'N'(os) and full border including medaillons with John the Baptist and Pierre, and rabbits; heraldic arms., Commission of Agostino Barbarigio, ~doge~ of Venice, appointing Giovanni Andrea Pizzamanno ~podestà~ of Conegliano

Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Decorated initial and border Venice Italy. N. (Venice)

• Illuminated initial 'T'(anta) with foliate decoration, at the beginning of the prefatory letter to De re militari, and the arms of Agostino Barbarigo, Doge of Venice, in the lower margin., De re militari, with prefatory letter

1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Illuminated initial and arms of Agostino Barbarigo Antonius Vegnatus Venice Italy, N. E. (Venice)

• Decorated headpiece at the beginning of Hermogenes's Peri ton staeon., Peri ton stason, Peri eureseon, Peri ideon logou, with prologues, and various notes, proverbs, and verses

various notes, proverbs, and verses Maffeo Pinelli (d. 1785) of Venice: inscription '7909' (f. 1v), corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7909): his London sale, 2

• Zoomorphic initial 'C'(allimachi), partly formed of two fish or dolphins, at the beginning of Book 3 of Propertius's Elegies., Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• Decorated initial 'C'(ynthia), at the beginning of Propertius's Elegies., Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• null, Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• null, Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• Historiated initial 'M'(ecaenas) depicting a figure at a lectern, and a full white vine-stem border incorporating vignettes of readers, and heradry in the lower border; at the beginning of Horace's Carmina., Carmina (ff. 1-73v); Epodes (ff. 74-88v); Carmen saeculare (ff. 89-90v); Ars poetica (ff. 90v-101v); Epistulae (ff. 102-135); Sermones (index Satires) (ff. 135-181v)

(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.

• Gold-stamped and blind-tooled late fifteenth-century Venetian binding., De re militari, with prefatory letter

date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Venetian binding Antonius Vegnatus Venice Italy, N. E. (Venice)

• null, Carmina (ff. 1-73v); Epodes (ff. 74-88v); Carmen saeculare (ff. 89-90v); Ars poetica (ff. 90v-101v); Epistulae (ff. 102-135); Sermones (index Satires) (ff. 135-181v)

(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.

• null, Carmina (ff. 1-73v); Epodes (ff. 74-88v); Carmen saeculare (ff. 89-90v); Ars poetica (ff. 90v-101v); Epistulae (ff. 102-135); Sermones (index Satires) (ff. 135-181v)

(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.

• null, De re militari, with prefatory letter

the date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Detail Antonius Vegnatus Venice Italy, N. E. (Venice)

• null, De re militari, with prefatory letter

the date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Detail Antonius Vegnatus Venice Italy, N. E. (Venice)

• Headpiece with geometric and foliate decoration and decorated initial., Grammatica Isagoge Graece, Books 1-4, with Latin annotations

Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen

• null, Homilies on the Gospels for each Sunday of the ecclesiastical year

circle, respectively).Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Nikolaos Malaxos Nikolaos Malaxos Collected by Philotheos Kokkinos, Patriarch of Constantinople Venice Italy, N. E. (Venice) or Eastern Mediterranean (Crete)

• Illuminated intial 'Q'(uanquam) and full border with heraldic arms (of the Lan family of Treviso ?), supported by sphinxes., Orationes, etc.

son Charles Parr Burney in 1818. Illuminated initial and full border with heraldic arms Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Illuminated initial 'S'(i), with unusual colours and interlace motifs, at the beginning of Cicero's Pro Sestio., Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Illuminated initial Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Inhabited illuminated initial 'Q'(ue), depicting a clothed cherub holding a shield (with the arms of the Lan family of Treviso ?), Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Inhabited initial Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Illuminated initials 'A'(dversus) and 'P'(rimum), at the beginning of Leonardo Bruni's Latin translation of Demosthenes's Oratio pro Ctesiphonte (or De corona)., Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Illuminated initials Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Illuminated initial 'C'(um) with woven knotwork decoration., Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Illuminated initial Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)