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Manuscripts of the West Midlands icon

Manuscripts of the West Midlands

57 results from this resource . Displaying 1 to 20

red preceded by blue paraph marks. Alternately blue on red and red on b lue. Recto folios - oxidised red paraphs suggesting the use of a different base. One-line blue initials with red penwork and red with blue before stanzas.

Two-line red initials. Red and blue paraphs. Blue and red line fillers. One-line blue initials with red penwork forming a box around the initial. Two-line blue initials with red penwork flourishing. Seven, eight, and nine-line blue initial I with red

Initial G of Festial in red and blue; initials of first words of homilies or new subjects decorated throughout - two-line blue initials with fine red penwork spreading in margin; red and blue paraphs; following text decorated in the same

six-line capital I in initial position. Brackets in red. Red paraphs throughout. Item 7: c. ten-line blue initial I with red penwork flourishing and blue penwork extending along length of left margin, half way along bottom margin and whole of

to Sir William Hylton, f. 108r (see Additions). Initial page: five-line gold (now white with remnants of gold) U with blue infill patterned with white-line foliate decoration (now oxidised). Initial ground of rose with (now oxidised) white line decoration; sprays

script. Ff. 1v, 2r - two-line blue initials with red penwork flourishing. Initial folio of Stanzaic Life - nine-line blue initial I with red penwork flourishing forming a two-sided border. F. 87v - two-line blue initial with red penwork flourishing

eleven-line blue initial I with red penwork flourishing in left margin and along top creating a two-sided border. Three-line blue initials with red pen work flourishing for other textual divisions (see Benson and Blanchfield 1997, p. 68, pl. 8). Blue

beginning of text; one-line red initials within text. F. 118r: four-line red initial R with blue penwork flourising. F. 148v: three-line red initial with blue penwork flourishing. Not medieval. Note on f. 2v, 'The flyleaves (ff. 1,2,168,169) being two leaves

'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia

the letter on the right side. & used regularly. Body height: 4 mm. First initial of text eight-lines deep with blue ground and red penwork but now much damaged. Red words in text, mostly names. Two-line red initials. Not medieval.

5: underlining of names in red, red paraphs, some initials highlighted red, red and black line filler; two/three-line red or blue initials. Item 7: two-line red initials. Item 12: four-line initial A begins text. Outlined in red with red decoration

49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column

Three-line blue initials with red penwork extending into border. Red and blue paraphs. Item 4: four/five-line initial A in blue as before. Red and blue paraphs. Two-line blue initials with red penwork. Item 5: fourteen-line initial I in blue with

squiggles. Two-line blue initials with extending red penwork decorate the manuscript until f. 70v where there is also a change of ink but not a change of scribe. Later texts: eg. f. 71r three-line blue initial and blue paraphs, f.

blue and red initial with red pen-work decoration around the letter giving rise to a full border in blue and red. Red and blue paraphs. Two-line blue initials with red penwork extensions. Text 2 - title in red. Two-line

appearance. Body height: 2mm. Latin quotations in red. Two-line blue initials with red penwork flourishing begin new paragraphs. F. 12v: five-line gold champ init ial A on a quartered rose and blue ground with white line decoration and sprays of

s in initial position. Red rubrics underlining, paraphs. Alternate red and blue one-line blue initials for item 4.1. Two-line blue initials with red penwork flourishing into margins. Six-line blue initials with red penwork flourishing. As above. Foliated consecutively with Part

begins with a five-line capital B in red and blue with fine line penwork decorating the infill, red, and around the letter, red and violet. Red paraphs. Red underlining. Three-line blue initials with fine red penwork for divisions. Not medieval.

and blue background. No other decoration excep t for two-line Lombardic capitals in blue with red penwork decoration to indicate the beginning of each section. Initial letters of each line are tinted in yellow. Other Litterae Notabiliores written in blue

rise to a three-sided bar-frame border. At the top a cluster of rose and blue leaves gives way to a straight spray constructed of a blue vine terminating in a rose leaf. The vine is decorated with a white central

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 8 June 2024), https://www.manuscriptsonline.org/search/results?ct=nm&kw=blue%20habit&sdf=1406&sdt=1452