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- Manuscript Description (82)
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Manuscripts of the West Midlands
position. Body height 1.5-2mm. Eleven-line blue initial I with red penwork extending along left and top margin begins first text. Other texts begin with three-line initials with fine red penwork e.g. f. 9r. Two-line blue initials with red penwork throughout.
Elaborate five-line lombardic capital (f. 1r) in red, blue and gold with border running over the left side of the text and around 3/4 of the writing frame. Initials of passus in blue with pen ink flourishing in red. Rubrics,
England Oxford Bodleian Library Laud Misc. 601 SC 1491 s. xiv ex English Scribal Dialect: South East Gloucestershire. Linguistic Atlas Grid Reference: 393 198, LP 6980 (McIntosh, Samuels and Benskin 1986, p. 196). A late fourteenth-century, c. 1374-1400,
initial F . It is blue with a pattern of red triangles on the left leg and infilled with red leaves with a green background. Three-line initials in blue with crude brown (oxidised) and blue penwork. Place names underlined in
throughout, see Ker 1963, pp. xvi-xvii. Item 1: alternate red and blue initials at each quatrain. Two-line blue initials with red penwork to begin introduction to text. Four-line blue initial with red penwork to begin text proper. Other texts: decoration
120 mm. Covered in red leather and fabric mitred and pasted onto pasteboard. Inside cover 'marbled' paper in red and blue. Four raised bands across the spine. Shield with supporting angels and scroll at bottom -'VIRTUTE ET FIDE' on front
33 lines ruled in pencil. Several different hands writing in small and compact Secretary scripts influenced by Anglicana. Capitals in blue with red penwork. Some eleborate ascenders in brown ink (e.g. ff. 135-136). Medieval binding. Size: 230 x 150 mm.
'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia
colophon in red. Item 2 - in the margin are five rough pictures of bleeding wounds. Item 3 - two-line blue lombards, some letters tinted red, red paraphs. Item 4 - Prologue, first column and a half, in red. Not
for the first one, 'Advent Sonday' (brown), rubrication throughout. Red paraphs throughout. F. 1r: initial G of 'Go de' - blue with red flourishing. Other first letters are red. Nota bene: hand - ff. 60r, 97v. Not medieval. Size: 230
brown ink in an early fourteenth-century Anglicana hand. Body height: 2 mm. Two-line blue initials with red penwork flourishing - swirls rather than foliate. Two-line red and blue paraphs. Not medieval. Size: 310 x 190 mm. Covered in dark brown/black
printed in Brown 1927, fr ontispiece. Purple, blue and gold border with miniature of St. Andrew, in blue, bound to a saltire cross, on a gold ground in the initial, p. 1. Four-line blue initials with red penwork at the
was written by one scribe, apart from some lines on f. 20r, who wrote in an 'unpractised Anglicana hand'. Large blue initial with red penwork extending along the left margin and top of the leaf on f. 3r, St. Michael.
Scribe 2: ff. 200v-203v - a roughly contemporary Anglicana book hand. Paragraph marks, alternately red and blue in the South English Legendary . Two-line blue initials with red pen- work flourishes in the South English Legendary . First letter of
fairly large elongated leaves - orange, blue, pink (not rose), dark pink/red/burgundy, white circles. Border Artist 2: ff. 5r, 7r-8r, 62r-93v, 98v-118r, 124r, 125v, 126r, 128v, 129r, 135r-143r, 163v. Characteristics: gold bar and blue bar with initial decorated with serrated
Scribe 2: Item 3 is written in a contemporary business hand. Red paraphs to f. 16v. F. 17r - historiated blue initial A - head of St. Anselm? ff. 17-32v - one-line red initials, red paraphs, two-line red initials, hands
'reproduce features of a dignified book hand on the basis of an engrossing hand, with upright and square proportions'. Three-line blue initial with red penwork extending into left margin on initial of each saint's life. First letter of each line
red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second
Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.
49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column