• Decorated initial 'Q'(uod) at the beginning of Bede's commentary on the first Epistle of John., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Text page with coloured initials., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Zoomorphic initial 'I'(ntuentes) formed of a dragon, with the Lamb of God in a medallion, at the beginning of Augustine's Tractatus in Evangelium Iohannis., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Decorated initial 'I'(n quattuor)., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'S'(I rationi) at the beginning of book 2., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o

• Foliate initial 'I'(am) at the beginning of book 3., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o

• Foliate initial 'D'(e felicitate) at the beginning of book 15., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o

• null, Enarrationes in Psalmos (Volume 2)

in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red

• null, Enarrationes in Psalmos (Volume 2)

in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red

• null, Enarrationes in Psalmos (Volume 2)

in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red

• Coloured initial 'D'(anielem) at the beginning of Jerome's 'Commentary on the Prophet Daniel' with the title 'The prologue of St Jerome, Exposition on the Prophet Daniel'., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'A'(nno)., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'B'(eatis) at the beginning of the Life of Nicholas of Myra (or Bari)., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'O'(mnipotentis) at the beginning of the prologue written by the 11th-century abbot of Thorney, Fulcard, to his the lives of the anchorites Thancred, Torhtred and Tova, which he presented to Bishop Walcelin of Winchester. Their veneration seems to have been limited to Thorney and its dependent house, Deeping., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Miniature of Pentecost, decorated initial 'D'(omine) and scatter borders, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Crucifixion, decorated initial 'E'(gressus) and scatter borders, at the beginning of the Passion of Christ according to John., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Annunciation to the Shepherds, decorated initial 'D'(eus) and scatter borders, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Drawing of the Deposition or Nailing to the cross, in book 2, chapter 24 of Gregory the Great's Dialogi., Dialogi

foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,

• Detail of historiated initial 'A'(nte) with the Last Supper, at the beginning of the reading for Holy Thursday. Christ passes a sop to Judas who sits on the other side of the table from Christ and the other Apostles. At this moment, Satan, shown here in the form of a black bird, enters Judas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Painted drawing of Mystic Paradise, with the Virgin and Child at the centre, flanked by personifications of the virtues and the symbols of the Evangelists, at the beginning of epistle I.2., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures