• Detail of a text-page with flourished initials 'S'(alehadins) and 'I'(l)., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an initial 'P'(uis) with pen-flourishing., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of a text-page with flourished initials 'T'(andis) and 'I'(usqua)., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Drawing of a Virgin and Child as space-filler in the table of contents of the Cartulary of the Abbey of Malmesbury in Wiltshire., Cartulary of the abbey of Malmesbury in Wiltshire

in Wiltshire. 3 drawings as space-fillers in the table of contents (ff. 4, 4v (x2)). Large and small initials in blue with red (foliate) pen-flourishing. Cadels. Cartulary of the abbey of Malmesbury in Wiltshire Inscriptions, 15th century (f. 220v).Inscription, 16th

• null, Cartulary of the abbey of Malmesbury in Wiltshire

(ff. 4, 4v (x2)). Large and small initials in blue with red (foliate) pen-flourishing. Cadels. Cartulary of the abbey of Malmesbury in Wiltshire Inscriptions, 15th century (f. 220v).Inscription, 16th century: 'Charles Danvers is my name' (f. 7v).James West (b. 1703,

• Miniature of two groups of knights in armour fighting., Ab urbe condita (Les decades de Titus Livius)

601v). Small foliate initials in colours and gold with extensions. Initials in gold on blue and rore grounds with penwork decoration in gold. Line-fillers in blue, rose and gold with penwork decoration in white. Ab urbe condita (Les decades de

• Detail of a miniature of two groups of knights in armour fighting., Ab urbe condita (Les decades de Titus Livius)

601v). Small foliate initials in colours and gold with extensions. Initials in gold on blue and rore grounds with penwork decoration in gold. Line-fillers in blue, rose and gold with penwork decoration in white. Ab urbe condita (Les decades de

• Detail of a miniature of the coronation of Henri of Trastamare and his queen at Burgos., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Illuminated puzzle initials 'Q'(ue) and 'D'(ixit), with line flourishing in blue., Leaves from a Book of Hours, containing the text for the Hours of the Virgin as said during Advent (ff. 1-3), the Penitential Psalms (ff. 4-8), Litanies (ff. 8-12), and Office of the Dead (ff. 13-21), Use of Rome

Caroline Zöhl (Paris: Brepols; Bibliothèque nationale de France, 2007), pp. 192-202. 36 initials in gold with infills of blue penwork and blue penwork flourishing scrolling into the margins. Leaves from a Book of Hours, containing the text for the Hours

• Detail of a miniature of a soldiers during the siege of Melun; some attempt diplomacy, while others mine under walls., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Miniature of the Battle of Coquerel, with a decorated initial 'L'(ors), and a full border, from Jean Cuvelier's Chanson de Bertrand du Guesclin., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Miniature of the Surrender of Bernesque, decorated initial 'V'(eruesque) with heraldry, and full border, from Jean Cuvelier's Chanson de Bertrand du Guesclin., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Miniature of the Surrender of Tarascon, with a decorated initial 'L'(es), and a full border, from Jean Cuvelier's Chanson de Bertrand du Guesclin., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Detail of an historiated initial 'R'(eines) with a mail-coated Nureddin, the Sultan of Damascus, with bare legs and an open helmet, fleeing on horseback with a foal underfoot from two knights (Godfrey Martel and Hugh de Lusignan the elder) pursuing him on war horses, trampling a dismembered torso., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'B'(uymonz) of Saladin's mounted soldiers forcing captives and livestock from the burning city., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'C'(ez) of Bishop Adhemar of Le Puy lying in state with a mitre, a crozier, and a chalice on his breast, and a number of ecclesiastical figures about him., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'A'(pres) of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of a miniature of the Battle of Coquerel, from Jean Cuvelier's Chanson de Bertrand du Guesclin., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Detail of a miniature of the Surrender of Bernesque, with a decorated initial 'V'(eruesque) with heraldry, from Jean Cuvelier's Chanson de Bertrand du Guesclin., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de

• Detail of a miniature of the Surrender of Tarascon, with a decorated initial 'L'(es), from Jean Cuvelier's Chanson de Bertrand du Guesclin., La chanson de Bertrand du Guesclin

full foliate borders, in gold, red and blue (ff. 1, 8, 16, 51, 62, 71, 80v, 90v, 129, 136, 177, 210v, 246, 250). Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. La chanson de