• Miniature of the Crucifixion, with Gervasius de Someren, his wife, and a knight of the Church of St John Baptist in prayer., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Historiated initial with the Resurrection; inscription dated 1510., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,

• Detail of a coloured drawing depicting idol worship and blood-sacrifice at the church of Calamye., Travels (index Itinerarium)

idol worship and blood-sacrifice at the church of Calamye. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 35,298 British Library, London 179 images.

Sanctorum." The Lives of Saints are in 194 chapters, beginning with St. Andrew and ending with the Dedication of the Church. The life of St. Dominio has the usual misleading reference (f. 95) to the French translator Jean de Vignay,

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38666 British Library, London 192 images.

Two: Medieval Manuscripts from the Additional Manuscripts, Section B Manuscript Number 38666 Source Library British Library, London Description POEM ON CHURCH FESTIVALS, intended (see prologue, f., as a Life of Christ; written in alternate rhyme, arranged mostly in quastrains. Beg.

• Early xv cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38665 British Library, London 188 images.

a hand of 12th-13th cont. 9 9 "Speculum Stultorum, " by Nigel, also called a Wircker, a monk of Christ Church, Canterbury, with introductory letter to William [Longchamp, bishop of Ely, 1189] and marginal illustrations. The text differs occasionally from