• Detail of a miniature of Argia discovering the dead body of her husband, Polynices., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Manto, the daughter of Tiresias, stirring a fire., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Regnet slaying Bertoullet with a sword, while outside are the four sons of Bayard., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the sons robbing travellers in the forest., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• null, Heroides, with glosses

possibly in his sale, 29 March 1742, p. 95 lot 104.? Unidentified owner: perhaps in John Egerton, ~Catalogue of Books, including the Library of John Smeaton … and Many Other Collections~, 1794, item 3891, priced £3 3s.Sir Robert Smyth (b.

• null, Introductio grammatica, Book I

par la grace de dieu Roy de france et de naur(?)' (f. 1). John Callander (b. 1721 or after, d. 1789), antiquary: given by him to John MacGouan, F. R. S. (inscription, f. 1v).Charles Burney (b. 1757, d. 1817), D.D.,

• null, Introductio grammatica, Book I

par la grace de dieu Roy de france et de naur(?)' (f. 1). John Callander (b. 1721 or after, d. 1789), antiquary: given by him to John MacGouan, F. R. S. (inscription, f. 1v).Charles Burney (b. 1757, d. 1817), D.D.,

• Miniature of a standing John Chrysostom holding a book., Leitourgikon, including ordination services and prayers

a standing John Chrysostom holding a book. 3 full-page miniatures in colours and gold of standing saints holding a book (ff. 5v, 23v, 47v). Large headpieces in gold and colours with foliate or braided patterns. Endpiece in brown and red

• Puzzle initial 'A(nno), with penwork decoration in the form of leaves., Polychronicon to the year 1352, with table

or blue. Diagrams in red or brown. Polychronicon to the year 1352, with table Added, near comtemporary text (ff. 238v-239v). John Macclesfield, in 1416-1417: inscription (f. 6v).John Hunt: 18th-century inscription (f. 2). W. Ford: his note about the manuscript pasted

• Detail of decorated headpiece., Homilies on John (index In Ioannem), imperfect

initials in red with penwork decoration, a few also with black penwork decoration. Small simple letters in red. Homilies on John (index In Ioannem), imperfect 16th-century (?) note of 8 missing leaves (f. 330v; see also ff. 10v, 12v).? Thomas

• Coloured drawings depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island., Travels (index Itinerarium)

depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island. Written in a Norfolk dialect. Combination of the beginning of text B with the end of

• Last page of text with cadels; colophon by John Merylynch., Martinus's 'Chronica pontificum et imperatorum' (ff. 118-174v), with additions possibly by John Merelynch (ff. 174v-186v), followed by the 'Proceedings against Dame Alice Kyteler' (1324) (index Rerum Hibernicarum quarundam pracipue ecclesiasticarum descriptio) attributed to Ledrede (ff. 186v-206v)

one of the foundation collections of the British Library. Text page with cadels John Merylynch John Merelynch The Oriel Master Martinus Polanus (index Martin of Troppau) (d. 1278), John Merelynch, Richard Ledrede, bishop of Ossory Glastonbury England, W. (Glastonbury ?)

• Text page of John Skelton's 'On the Death of the Earl of Northumberland', with calligraphic letters and decorated ascenders., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

Text page of John Skelton's 'On the Death of the Earl of Northumberland', with calligraphic letters and decorated ascenders. Part 1 includes two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne,

• Coloured drawing depicting Sir John Mandeville setting out on his adventures., Travels (index Itinerarium)

depicting Sir John Mandeville setting out on his adventures. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Coloured drawing depicting the gerfaunts in the land of Prester John ("Ind")., Travels (index Itinerarium)

in the land of Prester John ("Ind"). Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying: see Scott

• Coloured drawings depicting feathered men in the lands of Prester John, and the keepers of orchards with fruit that brings long life., Travels (index Itinerarium)

in the lands of Prester John, and the keepers of orchards with fruit that brings long life. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical

• Flourished initial., Psalter, a metrical version (the Surtees Psalter version)

version (the Surtees Psalter version) Inscription 'Will (?) Bonnell' (f. 1v).John Fauntleroy: inscription in calligraphy (f. 1*); inscription (f. 1); 'John Fauntlero' (f. [101v].Bought by the British Museum in 1836, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

• Coloured drawings illustrating the Prologue: Sir John Mandeville sets off on his travels to Jerusalem and beyond., Travels (index Itinerarium)

the Prologue: Sir John Mandeville sets off on his travels to Jerusalem and beyond. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps