• Decorated initial 'J'(ohannes), at the beginning of the prologue to John., Gospel Book

beginning of the prologue to John. The manuscript contains a text of a manumission by King Athelstan, one of the earliest of the Anglo-Saxon examples of the practice of inserting records in sacred books. It was believed to be the

• Decorated initial 'In'(principio), at the beginning of John., Gospel Book

at the beginning of John. The manuscript contains a text of a manumission by King Athelstan, one of the earliest of the Anglo-Saxon examples of the practice of inserting records in sacred books. It was believed to be the book

• Puzzle initial 'O'(mnibus), at the beginning of the Historia Mongalorum., Topographia Hiberniae, Expugnatio Hibernica (see notes for complete list)

to Richard, count of Poitou, beginning 'A [multis] requisitus et multociens', and the revised version of the dedication to King John of England (ff. 58v-106v);Philomela, the poem on the voices of birds and beasts ascribed to Ovid in the 16th-century

• Detail of a miniature of two episodes from a legend of the priest of Ulster and the wolf, in the lower margin; on the left, a priest talks to a wolf near a roaring fire; on the right, the priest follows the wolf., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Detail of a miniature of three episodes from a legend of the priest of Ulster and the wolf, in the lower margin: the priest of Ulster approached by the wolf; the priest led by the wolf; and brought to its female partner to administer the viaticum., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Detail of a miniature of the naked bearded woman of Limerick seated on a rock with a spindle, near the naked man-ox of Wicklow, who is being given a round object by another man., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Miniature of the naked bearded woman of Limerick seated on a rock with a spindle, near the naked man-ox of Wicklow, who is being given a round object by another man., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Detail of a miniature of a bird perched on a building, and a man with the tame falcon of Kildare killing prey; miniature of a scribe writing the miraculous Gospels of Kildare, in the lower margin of the folio., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Miniatures of a man kneeling by the crucified Christ at the Crucifix of Dublin, an archer who crossed the hedge of Brigid, blowing on her fire, and a man drinking from a river, in the lower margin of the folio., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Detail of miniatures of a man kneeling by the crucified Christ at the Crucifix of Dublin, an archer who crossed the hedge of Brigid, blowing on her fire, and a man drinking from a river, in the lower margin of the folio., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Calendar page for February, with the dedication of the church of St. Lawrence, Ludlow (the largest parish church in Shropshire): about half-way down the page, written in red ink at 13 February, is 'Dedicacion de la eglise seint Laurence de Lodelawe'., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Coloured initials in the litany. Each column on this page has the saint's name to the left, followed by a space and an abbreviation of the word 'priez' (pray [for me]), with a hybrid creature in the lower right margin., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Ink drawings of a huntsman and his dog chasing a female ape: the ape carries one child on her back, and the other on her front, and a mermaid and a ship in the sea., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• A miniature of three episodes from a legend of the priest of Ulster and the wolf, in the lower margin: the priest of Ulster approached by the wolf; the priest led by the wolf; and brought to its female partner to administer the viaticum., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have