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of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons. 13 full-page miniatures mostly with large decorated initials and full foliate borders,
Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in
Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.
Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and
Page of music on the verso of the folio. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with
glossed codex of Justinian, book 6.6.4-6.14.2, imperfect, and bound with the recto as the verso, formerly used as a pastedown John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans
alternately red or blue. Fragment of a Psalter, with part of Psalms 11-13, with the recto bound as the verso John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans
notation on red four-line staves. Fragment of a Missal, with part of the Mass for the 18th Sunday after Trinity John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans
initials in red or blue. Musical notation on red 4-line staves. Fragment with Antiphons for the Nativity of the Lord John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans
Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans
red pen-flourishing (f. 1). Capitals marked in yellow. List of capitula to Augustine's De civitate dei (index City of God) John Gibson (fl. 1720-1726), dealer; sold to Harley on 17 June 1721 (see ~Diary~ 1966; Wright 1972).The Harley Collection, formed
Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small
Detail of the last 4 staves of music and an inscription. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in
First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii). Originally in 3 volumes, each containing the commentary to 50 Psalms, now in 2 volumes, Royal 2 E XIII and Royal
Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by
Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater