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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

473 results from this resource . Displaying 181 to 200

1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany

1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in with an added puzzle initial and rubrics in brown and red. Psalter, with canticles (ff. 99-108), litany

William Fleetwood [Fletewoode] (b. c.1525, d.1594), lawyer and antiquary: erased inscription of his name (ff. 3*verso and f. 129v); no. 1 of the manuscripts at Missenden abbey, the home of the Fleetwood family: see Ker 1957.18th-century ? inscription '111 A

the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Octobris, A.D. 1725’ (f. 1); inscribed 'Oxford B.H.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

May 2006).The Opera di San Jacopo in Pistoia: inscribed by two notaries: Ser Bartolomeo da Forlì, chancellor of Pistoia (ff. 1, 135), and Franciscus Luce; 15th-century pressmark 'E.V.' (ff. 133, 191v; see Wright 1972). John Gibson (fl. 1720-1726), dealer: sold

with red penwork decoration, and one in red with blue penwork decoration, and musical notation on red four-line staves (ff. 1, 2, 128, 129).Guglielmo Libri : his sale catalogue, 7 February 1864, lot 118, and 1895, lot 64, bought by

in red, often with a yellow wash, one extending into the margin (f. 1), one with an animal head (f. 213). Large decorated initials, in red and yellow, or red, black, and yellow, some zoomorphic or anthropomorphic (birds or hands)

'B'(eatus) at the beginning of Psalm 1. Musical notation on four-line red staves, in the office for Catherine (ff. 108-109). Large initial with partial border in colours and gold, at the beginning of Psalm 1 (f. 8). Large puzzle intial

Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2, 2v, 17v, 29, 37v, 95, 104, 108,

of a log. Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2, 2v, 17v, 29, 37v,

with many tags. Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2, 2v, 17v, 29, 37v,

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

the beginning of book 1 of Augustine's Confessiones. Running headers. Signe de renvoi (f. 46), see Ker 1976. Large initials in red or green with penwork decoration in the same and occasionally in the alternate colour, some with reserved designs.

added vertically in a fine 15th-century humanistic hand (f. 26v).Added verses in Italian, 15th century 'Neltempo cherinova emie sospiri...' (f. 1), 'Amor mipuo tenere...' (f. 41).Added inscriptions in Latin, 15th century (f. 41r-v).Stamped arms (trimmed) in lower border, ?16th century

Inhabited initial 'D'(ivinus) with a dog, in gold and colours. The manuscript was mostly the work of one scribe who wrote the 2nd, 4th, and 6th texts, and all but the first page of the 1st, who is identifiable

Inhabited initial 'R'(egu) with a dragon, in gold and colours. The manuscript was mostly the work of one scribe who wrote the 2nd, 4th, and 6th texts, and all but the first page of the 1st, who is identifiable

Large decorated initial 'P'(oentissimus) in colours and gold with foliate decoration and acanthus leaves. The manuscript was mostly the work of one scribe who wrote the 2nd, 4th, and 6th texts, and all but the first page of the

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 9 June 2024), https://www.manuscriptsonline.org/search/results?kw=1&sdf=1031&sdt=1061&st=180