• Decorated initial 'Q'(uerit[us]) in green ink., Various poems including Laurence of Durham's Hypognosticon (ff. 8-113) and the Fall of Troy (ff. 114v-115v)

Mortimer, book collector and patron of the arts, inscribed as usual by his librarian, Humfrey Wanley ‘15 Augusti 1725’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Illuminated initial 'I'(nter)., Observationum ex libris antiquorum

initial 'I'(nter). The initials on ff. 153v, 163 are unfinished and the underdrawings are visible. 1 historiated initial in colours and gold (damaged) (f. 1). 19 large initials in colours and gold (ff. 1v, 14v, 29, 39v, 48, 58, 65v,

• Coloured initials 'Q'(uomodo) and 'C'(um) at the beginning of the preface and prologue of Solinus's De mirabilibus mundi., Collectanea rerum memorabilium (index De mirabilibus mundi), preceded by a preface (f. 1) and prologue (f. 1r-1v)

mirabilibus mundi. Initials in plain red, partly oxidised (ff. 1, 9). Unfinished: spaces left for all other initials. Collectanea rerum memorabilium (index De mirabilibus mundi), preceded by a preface (f. 1) and prologue (f. 1r-1v) Signed by one of the

• Zoomorphic initial 'S'(Saepe) in foliate forms and an animal's neck and head, at the beginning of Cicero's De inventione, and the ink stamp of the Royal Society of London in the lower margin., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70). Large initials in red, most with yellow and/or red penwork decoration. Highlights in red

• Ink drawings of a beaver with a man blowing a horn, a crocodile swallowing a hydrus, a crocodile with fish, and a winged hyena., Bestiary

Ink drawings of a beaver with a man blowing a horn, a crocodile swallowing a hydrus, a crocodile with fish, and a winged hyena. In James's 'First Family' with text derived from the Physiologus with additions from the Etymologies

• Detail of ink drawings of an ibex and fire stones., Bestiary

Detail of ink drawings of an ibex and fire stones. In James's 'First Family' with text derived from the Physiologus with additions from the Etymologies of Isidore of Seville, McCullough's subdivision 'B-Is' version, see McCullough 1962 p. 31; Payne

• Ink drawings of animals., Bestiary

Ink drawings of animals. In James's 'First Family' with text derived from the Physiologus with additions from the Etymologies of Isidore of Seville, McCullough's subdivision 'B-Is' version, see McCullough 1962 p. 31; Payne 1990 p. 12. 28 drawings in

• Decorated initial 'P'(aulus) at the beginning of Paul's epistles, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with prologues and gloss;

• Decorated initial 'M'(ultiphariam) at the beginning of Paul's epistle to the Hebrews, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with prologues and

• Zoomorphic initial 'S'(aepe) in foliate forms and an animal's neck and head, at the beginning of Cicero's De inventione., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70). Large initials in red, most with yellow and/or red penwork decoration. Highlights in red

• Zoomorphic initial 'E'(t) in the form of a bird, at the beginning of the Pseudo-Cicero Rhetorica ad Herennium., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70). Large initials in red, most with yellow and/or red penwork decoration. Highlights in red

• Inhabited initial 'G'(loriosissimam) formed of a dragon interlaced with foliage, at the beginning of book 1., De civitate Dei; Notae on De ciuitate Dei

interlaced with foliage, at the beginning of book 1. Includes Augustine's De civitate Dei preceded by the section relating to it in the Retractationes (f. 5v) and notes on the De civitate Dei by Lanfranc, written by a different but

• Zoomorphic initial 'P'(salmus) with display script, at the beginning of Augustine's commentary to Psalm 50., Enarrationes in Psalmos (Volume 2)

'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• null, De cognitione verae vitae (ff. 1-39) and other tracts

Blue initial with red pen-flourishing. Other simple red initials. Red highlighting of some letters. Cadels. De cognitione verae vitae (ff. 1-39) and other tracts Inscribed 'Carolus dei gracia Angliae Scocie Franc et Hibernii Rex fidei defensor etc.' (f. 106).A

• Decorated initial 'B'(ritannia) at the beginning of Bede's text., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

text. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large initials with penwork decoration in purple, green, red,

• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

II. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large initials with penwork decoration in purple, green, red,

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

lower edge of the page is a quire signature. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see Richards 1988. Large

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand:

• Decorated initial 'G'(loriossimo), and in the lower margin is an added inscription recording that the book belonged in the cloister of Rochester Cathedral, and was given by Hubert the precentor., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

the cloister of Rochester Cathedral, and was given by Hubert the precentor. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: see

• Decorated initial 'A'(t) at the beginning of Book III. In the top margin and top right corner are the book number '3', and the folio number '63'; the sketch of a horse's head in the lower margin is a doodle by a later reader., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

horse's head in the lower margin is a doodle by a later reader. f. 1* is a parchment former pastedown.f. 1 is a parchment leaf.The passage describing Augustine's arrival in Kent is marked into eight lections by a contemporary hand: