'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
illuminated initial. 1 large foliate and interlace initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown.
decorated initial. 1 large foliate and interlace initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown.
of chapter 6 of book 1 of Cicero's De inventione. 6 large decorated initials in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70).
of chapter 6 of book 1 of Cicero's De inventione. 6 large decorated initials in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70).
Decorated initial and border. 1 large decorated foliate initial with a full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan,
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords
Initials in plain red, partly oxidised (ff. 1, 9). Unfinished: spaces left for all other initials. Collectanea rerum memorabilium (index De mirabilibus mundi), preceded by a preface (f. 1) and prologue (f. 1r-1v) Signed by one of the scribes: 'Explicit
England (Bath?). Quire signatures in the form of letters. Guide letters. 1 large foliate initial in colours with display script, at the beginning of the text (f. 2), and 1 smaller initial with foliate penwork decoration, at the beginning of