• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Flyleaf, verso side., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Carpet pages., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a line filler., Fragments from Exodus (1:1-8:5)

brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a foliate scroll as line filler., Fragments from Exodus (1:1-8:5)

and brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Heraldic decoration., Commission of Doge Francisus Erizzo to Antonio Barbadico

Heraldic decoration. 2 full-page armorial miniatures, in colours and gold (f. 1*r-v). 1 title page with display script, surrounded by a gold frame with blue flowers (f. 1). Commission of Doge Francisus Erizzo to Antonio Barbadico Antonio Barbadico: his arms

• Partial knotwork headpiece and decorated initial 'O'(rbis) at the beginning of Pomponius Mela's De chorographia., De chorographia (ff. 1-23), and other works, including an account of a sea voyage (ff. 23v-25v)

headpiece and decorated initial 'O'(rbis) at the beginning of Pomponius Mela's De chorographia. 1 large initial with pen decoration (f. 1).1 interlace headpiece (f. 1).1 map (f. 25v). De chorographia (ff. 1-23), and other works, including an account

• Textual illustration of a menorah with explanatory captions, in brown ink., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Detail of a page: drawing of a menorah with explanatory captions., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• A three-sided illuminated border with two birds and a rabbit, and the illuminated initial 'L'(e) in the list of chapters of Roger of Salerno's Chirurgia, on the left. On the right is a full-page miniature in three registers, of the Annunciation, Visitation, and Nativity, in the upper register, and below, a surgeon performing an operation for a compound fracture of the skull., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• On the left, a full-page miniatures in three registers with the Death of the Virgin, the Coronation of the Virgin, and Christ in Majesty in the upper register and in the lower two registers scenes of various surgicall procedures for skin diseases and the blessing Christ. On the right, the puzzle initial 'A'(pres) at the beginning of Roger of Salerno's Chirurgia., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• Two full-page miniatures in three registers. In the upper registers are scenes from the life of Christ, including the Deposition, the Burial, and the Harrowing of Hell. In the lower two registers are scenes of various surgicall procedures for gynaecological and genital diseases., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• Full-page miniature in three registers, of Joseph of Arimethea asking for Christ's body, Joseph and a woman with funeral linens, and the Deposition, and below, two women presenting an diseased breast to a physician, and four men with various genital diseases., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours