• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Flyleaf, verso side., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Carpet pages., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a line filler., Fragments from Exodus (1:1-8:5)

brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a foliate scroll as line filler., Fragments from Exodus (1:1-8:5)

and brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Textual illustration of a menorah with explanatory captions, in brown ink., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Detail of a page: drawing of a menorah with explanatory captions., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Decorated panel with geometric design at the end of ~parashat bo~ (Ex. 10:1-13:16)., Portions from the Exodus with Arabic translation and commentary

Decorated panel with geometric design at the end of ~parashat bo~ (Ex. 10:1-13:16). Incomplete at the beginning, and several lacunae. Ruling is visible. Numerous decorated panels inserted into the body of the text, in colours and gold. Portions from

• Decorated panel with foliate scroll, at the end of ~parashat be-shallah~ (Ex. 18:1-20:23)., Portions from the Exodus with Arabic translation and commentary

Decorated panel with foliate scroll, at the end of ~parashat be-shallah~ (Ex. 18:1-20:23). Incomplete at the beginning, and several lacunae. Ruling is visible. Numerous decorated panels inserted into the body of the text, in colours and gold. Portions from

• Decorated panel with foliate scroll, at the end of ~parashat terumah~ (Ex. 25:1-27:19)., Portions from the Exodus with Arabic translation and commentary

Decorated panel with foliate scroll, at the end of ~parashat terumah~ (Ex. 25:1-27:19). Incomplete at the beginning, and several lacunae. Ruling is visible. Numerous decorated panels inserted into the body of the text, in colours and gold. Portions from

• Detail of a historiated initial 'A'(d comentum) of Gregory delivering a letter to two cardinals., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Detail of a historiated initial 'D'(e) of plaintiffs before a judge, at the beginning of book 2., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Miniature of Innocent IV writing, with another pope kneeling before a cardinal and a scholar (Innocent IV?) dictating to a scribe, with a full border, at the beginning of book 1., Apparatus in quinque libros Decretalium

(f. 1).Catchwords, quire and bifolium signatures; instructions for rubrics; pecia marks. 1 added miniature in colours and gold with a full border, at the beginning of book 1 (f. 1). Apparatus in quinque libros Decretalium Colophon: 'Explicit opus pp innocencii