• Illuminated white vine initial 'F'(also) and heraldic arms, at the beginning of Sallust's Bellum Jugurthinum., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Foliate headpiece and large initial 'M' of makarios at the beginning of Psalm 1, in red and yellow, with snakes forming part of the letter., Psalter

University of Glasgow, Hunter MSS 405, 475. Foliate headpiece (f. 1) and other simple headpiece. Large red initials with penwork decoration, the first also with black and yellow (f. 1). Psalter Written by Matthaios, hieromonk of the monastery of St

• Text page with colophon dated 1477: 'Finis Catalinarii in fabriano completi die xxii februarii MccccLxxvii. RR', and, in red: 'Hii duo libri in uno volumine compositi sunt [followed by an erasure]' at the end of Sallust's Bellum Catilinarum., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

Society of London. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Illuminated border and Initial 'N'(octiam) with an unfinished drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife, and on the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

a quadruped (dragon?). 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Illuminated white vine initial 'O'(mnis), at the beginning of Sallust's Bellum Catilinarum., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of illluminated initial., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of heraldry., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of text., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• null, Les Chroniques d'Angleterre (3 vols)

grounds. Cadels. Vol. II: 5 miniatures have been cut out (ff. 1, 28, 62v, 83v, 140v). 1 large initial in gold, incorporating heraldic arms on a red ground (f. 1). Smaller and small initials in gold on red and blue

• Diagram., Jugurtha (ff. 1-54), Catilina (ff. 55-81v)

date April 1472. 2 large white vine initials, in colours and gold (ff. 1, 55). Heraldic arms within a wreath, in colours and gold (f. 1).1 large map of the world (f. 9v). Small initials in plain blue. Jugurtha

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Unfinished miniature of the martyrdom of Laurence, with an illuminated initial 'L'(orens), and partial foliate borders, at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Unfinished miniatures of Pope Felix and of Simplicius and Faustina, with illuminated initials and partial foliate borders, at the beginning of their legends., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the death of Alexien, with an illuminated initial 'A'(lexien), and partial foliate borders, at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to