• Flourished initial 'I'(n), at the beginning of Ovid's Metamorphoses., Metamorphoses

Flourished initial 'I'(n), at the beginning of Ovid's Metamorphoses. 1 large initial in red, with reserved designs, and pen-flourishing in brown with yellow wash (f. 1). Smaller initials and paraph marks in plain red. Metamorphoses Sir Hans Sloane (b. 1660,

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Illuminated initial 'N'(ux)., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Decorated initial 'A'(ltus) at the beginning of a short preface to Terence's Andria, executed in red ink with a brown ink geometric pattern in the bowl., Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,

• null, Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment) Formerly bound with Burney 137, 272, and 352, which have similar

• Initial 'N'(aso) and unidentified arms in the lower margin., Epistulae ex Ponto

has been torn off at the top of f. 1.1 large initial in gold on a blue ground with an unidentified coat of arms in the lower margin (f. 1). 3 large gold initials on coloured panels with simple

• Illuminated initial 'P'(hobe) with white vine stem decoration at the beginning of De medicina., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Illuminated initial 'Q'(uoniam) with the royal arms of England, with a partial border including Tudor roses, at the beginning of the text., Tractatulus de regimine seu caritate principum

Tudor roses, at the beginning of the text. Catchwords. 1 illuminated initial in colours and gold, with the royal arms of England and a partial border with Tudor roses (f. 3). 1 initial in gold on blue and rose ground.

• Decorated initial 'E'(t si) with pen-flourishing at the beginning of Leonardus Aretinus' De bello italico adversus Gotos., De bello italico adversus Gotos

blank (ff. 122, 134v, 148v). De bello italico adversus Gotos Part 1 (ff. 1-82v)Added marginal inscriptions in various medieval and post-medieval hands in English and Latin (e.g., ff. 1, 17v-18, 35, 55, 66v, 67, 78v, 79)Effaced inscription (f. 9).Effaced inscription

• Print of a Crucifixion, and a puzzle initial 'T'(e), at the beginning of the 'Te igitur' in the Missal., Missal, Use of Rome

Musical notation.ff. 81-82 is a contemporary addition.Added table of contents and additions, 17th- or 18th-century (ff. 1-8v, 77-80, 100). 1 coloured print pasted, Germany, 15th-century (f. 94v). 4 large puzzle-initials in green and yellow with red pen-flourishing (ff. 9, 95,