• Flourished initial 'F'(ortune)., De Consolatione Philosophiae

'F'(ortune). 1 large initial in red, with reserved designs, with brown pen-flourishing and flowers in red and green (f. 1).1 large puzzle initial in red and brown (f. 82). 1 large initial in plain red (f. 100). 1 smaller

• Decorated initials 'A'(nno) and 'I'(n anno), at the beginning of the Commentary on Haggai., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,

• Decorated initial 'C'(ontra) at the beginning of the Commentary on Daniel, with the ownership inscription of the Benedictine abbey of St. Martin, Battle, reading, 'Liber monasterii Sancti Martini de Bello Cicest[rensis] dioc[esis]', in the lower margin., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,

• Decorated initials 'N'(on) and 'V'(erbum), at the beginning of the Commentary on Joel., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,

• Inhabited initial 'B'(eatus) with dragons and griffins, at the beginning of the commentary to Psalm 1., Enarrationes in Psalmos (volume 1)

initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials

• null, Enarrationes in Psalmos (volume 1)

initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials

• null, Enarrationes in Psalmos (volume 1)

initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials

• null, Enarrationes in Psalmos (volume 1)

initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials

• Illuminated initial 'R' with the arms of Henry Despenser, bishop of Norwich, and a partial border, and in the upper margin, the signature of 'William Howarde 1579'., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

'William Howarde 1579'. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Unfinished illuminated initial 'N'(octiam) with a drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

and a knife. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• On the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

a quadruped (dragon?). 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Historiated initial 'Q'(uadam) of Gregory the Great writing at his desk, at the beginning of the text, with the ownership inscription of the cathedral priory of St. Andrew, Rocheste, reading 'Liber de claust[r]o Roffens[i] p[er] H. cantor[em].', Dialogi

Rocheste, reading 'Liber de claust[r]o Roffens[i] p[er] H. cantor[em].' Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration

• Puzzle initial 'F'(uit) at the beginning of book 2., Dialogi

Puzzle initial 'F'(uit) at the beginning of book 2. Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration

• Puzzle initial 'P'(ostquam) at the beginning of book 4., Dialogi

Puzzle initial 'P'(ostquam) at the beginning of book 4. Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration

• Arabesque initial 'M'(oriente), at the beginning of book 20 of the Antiquitates judaicae, to the left is a colour note 'R'., Antiquitates judaicae, chapters 15-20 (ff. 1-83v); De bello judaico, books 1-7 (ff. 83v-205)

initials in red and green with yellow, for the different chapters, and for the prologue and the different books (ff. 1, 1v, 15v, 27v, 45, 47v, 61v, 75, 83v, 85, 114, 138, 151v, 160, 168, 183v). Small initials in plain

• Arabesque initial 'Q'(uoniam), at the beginning of the prologue of the De bello judaico, to the left is a faint colour-note 'V'., Antiquitates judaicae, chapters 15-20 (ff. 1-83v); De bello judaico, books 1-7 (ff. 83v-205)

initials in red and green with yellow, for the different chapters, and for the prologue and the different books (ff. 1, 1v, 15v, 27v, 45, 47v, 61v, 75, 83v, 85, 114, 138, 151v, 160, 168, 183v). Small initials in plain

• Arabesque initial, at the beginning of a rubric in the De bello judaico., Antiquitates judaicae, chapters 15-20 (ff. 1-83v); De bello judaico, books 1-7 (ff. 83v-205)

initials in red and green with yellow, for the different chapters, and for the prologue and the different books (ff. 1, 1v, 15v, 27v, 45, 47v, 61v, 75, 83v, 85, 114, 138, 151v, 160, 168, 183v). Small initials in plain

• Historiated initial 'Q'(uoniam) of Gregory the Great writing, at the beginning of homily 1., Homiliae In Ezechielem, book 2, with Ezekiel 40: 1-47

historiated initials in outline drawing, with display script, at the beginning of Ezekilel 40, and of Gregory's homily 1 on Ezekiel (ff. 1, 4v). Large puzzle initials with penwork decoration in red and green, at the beginning of other homilies

• Drawing of the Tree of Vices, with Pride at the bottom and Luxury at the top, with snakes and dragons, at the beginning of epistle IV.1., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Tree of Virtues, flanked by angels, with Love at the top with an image of Christ blessing, illustrating epistle IV.1., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur