• Painted drawing of Mystic Paradise, with the Virgin and Child at the centre, flanked by personifications of the virtues and the symbols of the Evangelists, at the beginning of epistle I.2., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Victory of Humility, stabbing Pride, in the centre, flanked by Jael and Judith, at the beginning of epistle IV.2., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Wise and Fooling Virgins, in the second register, with Christ in Judgement above, and in the lowest register, angels blowing trumpets awakening the dead, at the beginning of epistle VI., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the parable of the Sower, interpreted as the fruits of virginity, chastity, and conjugality, likening the virgins to the hundredfold fruit, the chaste to the sixtyfold fruit, and the married to the fortyfold fruit, each personified as men and women, often with books, placed in a stylised tree, with Adam and Eve at the base and Christ at the top, at the beginning of epistle VII., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing in a cruciform shape of the Fruits of the Flesh and of the Spirit, with God at the top and a dragon at the bottom, including personifications of Reason, Wisdom, Goodness, and Law, holding a sword, at the beginning of epistle VIII., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Ladder of Virtue, with nuns climbing a ladder towards Christ, and a devil with swords, and a dragon below, at the beginning of epistle IX., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of Christ in Majesty in a mandorla holding an open book, surrounded by martyrs and saints, with a kneeling monk touching his right foot, at the beginning of epistle X., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Temple of Wisdom, with an abbreviated genealogy of Christ, with, the Virgin holding an open book, and Christ above, in an architectural setting with columns, and the seven gifts of the Holy Spirit are inscribed on leaves above, at the beginning of epistle XI., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Anthropomorphic initial 'S'(ancti), formed of two monks, at the beginning of the prologue to the De fide catholica of Isidore., De fide catholica

beginning of the prologue to the De fide catholica of Isidore. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at

• Zoomorphic initial 'I'(udei) with an animal head., De fide catholica

Zoomorphic initial 'I'(udei) with an animal head. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at the beginning of the

• Foliate and interlace initial 'C'(apitulum), at the beginning of the sermons based on John., De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

beginning of the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage

• Illuminated initial 'E'(vangelium), at the beginning of the sermons based on Matthew., De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

of the sermons based on Matthew. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in

• Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14)., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14). f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of

• Illuminated foliate patterned headpiece and initial at the beginning of John Chrysostom's homily De diabolo tentatore., Various theological works

colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,

• Illuminated foliate patterned headpiece and initial 'T' at the beginning of Severianus Gabalensis's De legislatore., Various theological works

colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,

• Diagrams in Pseudo-Hucbaldus's De Institutione Musica., Glossed De Institutione Musica (ff. 6v-62); Scolica Enchiriadis (ff. 63v-87v); Tonary (ff. 92-98)

Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

• Diagrams in Boethius's Scolica Enchiriadis., Glossed De Institutione Musica (ff. 6v-62); Scolica Enchiriadis (ff. 63v-87v); Tonary (ff. 92-98)

Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

• Decorated interlace initial 'I'(n) with two bird heads, at the beginning of the Gesta regum Francorum., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories

• Initial 'I'(ncipit), with a change of script, and possibly scribe., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories

• Decorated interlace initial 'I'(n) with two bird heads, at the beginning of the Gesta regum Francorum., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories