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TEAMS Middle English Texts Series

973 results from this resource . Displaying 1 to 20

9, LATIN EPIGRAM Item 9, LATIN EPIGRAM: FOOTNOTE 1 In happy times, many friends are counted. / When good fortune disappears, there will be none Item 9, LATIN EPIGRAM: EXPLANATORY NOTE 1 Tempore felici. This text begins one-third down the

EPIGRAMS Item 11a, LATIN EPIGRAM: FOOTNOTE 1 O son of Assidus, son of Assidus, I say you will conquer the Romans (I say the Romans will conquer you) Item 11a, LATIN EPIGRAM: EXPLANATORY NOTE 1 O Asside, Asside dico te

feature that opens Passion 1 is actually a theatrical induction, a dramatic feature that most scholars consider an early modern innovation. The dialogue here between Satan and John the Baptist is a true induction because it: 1) introduces the characters

Revisited”; and Palmer’s conclusion in “Corpus Christi ‘Cycles’ in Yorkshire,” p. 228. 7 British Library MS. Cotton Vespasian D.VIII, fol. 1; N-Town Play, ed. Spector, pp. xiii–xvi, and especially the discussion of N-Town in Fletcher, “N-Town Plays.” See also the

Item 1, Saint Eustace: Introduction Return to Menu of TEAMS Texts Copyright Information for this edition Gerould, “Forerunners”; and A. Thompson, “Jaussian Expectation.” 5 As another family miscellany manuscript, Digby 86 offers useful comparisons to Ashmole 61, since it shares

Commandments (item 6) are repeated in a manner similar to that of the false start that begins Saint Eustace (item 1). For more on this topic see the notes and introduction to The Ten Commandments (item 6). Go To Item

purgatory; (t-note) Go To Play 34, Burial; Guarding of the Sepulcher The N-Town Plays: Harrowing of Hell (1) PLAY 33, HARROWING OF HELL (1): FOOTNOTE Line 24, s.d.: Lift up your gates, you princes, and be lifted up, O eternal

Item 13, A Morning Prayer, text Codex Ashmole 61: Item 12, AN EVENING PRAYER Item 12, AN EVENING PRAYER: FOOTNOTE 1 In the name of the Father and the Son and the Holy Spirit, Amen Item 12, AN EVENING PRAYER:

ydlis ylcan. The kyng Alesandre acsede, Hwan sall that be? The menstral zede: Hwan Banockesbourne is y-det myd mannis bonis; 1 Hwan hares kendleth in hertth-stanes; Hwan laddes weuddeth levedes; Hwan me ledeth men to selle wytth rapis; 2 Hwan

and text missing; not entered in the Register. Play 44a, THE FUNERAL OF THE VIRGIN (“FERGUS”): EXPLANATORY NOTE FOOTNOTES Footnote 1 REED: York, 1:47–48, trans. 2:732. Footnote 2 REED: York, 1:110. Footnote 3 Jacobus de Voragine, Golden Legend, 2:91–92. Footnote

The Transfiguration The York Corpus Christi Cycle: Play 22a, The Marriage in Cana Play 22a, THE MARRIAGE IN CANA: FOOTNOTES 1 Speech heading: Master of the Feast at Cana Play 22a, THE MARRIAGE IN CANA: EXPLANATORY NOTES Only a portion

terram. JUDEUS 1 Now, felawys, take hede! For be my trewthe, Yondyr syttyth a dronkyn felacheppe! JUDEUS 2 To don hem good, it were grett ruthe! JUDEUS 3 Ya, I prey God geve hem all shenscheppe! JUDEUS 1 Muste in

notes in this file -- then link via poem number and line number. Thus, poem 1, line 4 would be #14, but poem 4, line 1 would be #41, and poem 4, line 41 would be #441. Spacing between columns:

stage direction; s.n.: stage name. The scriptural background for this play is found in the account of David’s anointing (1 Kings [1 Samuel] 5:1–13) and in the prophecy that describes the branch of the house of David (Isaias 11:1). For

The Table of Contents Thou That Sellest the Worde of God, Notes THOU THAT SELLEST THE WORDE OF GOD: NOTES 1 For the title The Layman's Complaint, see the Introduction. This poem and Allas! What Schul We Freris Do (which

The N-Town Plays: Play 1, Creation of Heaven; Fall of Lucifer Return to Menu of TEAMS Texts Copyright Information for this edition FALL OF LUCIFER Play 1, Creation of Heaven; Fall of Lucifer Edited by Douglas Sugano Originally Published

To Play 40, Pentecost The N-Town Plays: Play 39, Ascension; Selection of Matthias Play 39, ASCENSION; SELECTION OF MATTHIAS: FOOTNOTES 1 Here begins the Ascension of our Lord with Maria and eleven disciples and two angels in albs seated; and

what kyng. Capitulo 1 Who fond first the playe of the chesse. Capitulo 2 Wherfore the play was founden and maad. Capitulo 3 The second traytye The forme of a kyng of his maners and estate. Capitulo 1 The fourme

notes in this file -- then link via poem number and line number. Thus, poem 1, line 4 would be #14, but poem 4, line 1 would be #41, and poem 4, line 41 would be #441. Spacing between columns:

notes in this file -- then link via poem number and line number. Thus, poem 1, line 4 would be #14, but poem 4, line 1 would be #41, and poem 4, line 41 would be #441. Spacing between columns:

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