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Europa Inventa: Early European Objects in Australasian Collections icon

Europa Inventa: Early European Objects in Australasian Collections

199 results from this resource . Displaying 1 to 5

Condition: Deco desc: red rubrics; red underlining; caps gold, blue and red with white tracery. On the verso is a full border of floral sprays and whorls in green, red, blue, gold. One miniature (97 X 78mm.) depicting a saint

19c. pale blue brocade over boards Catchwords: Catchwords agree Collation: (10)1-2 (8)3 (9)4 (10)5-8 Composite: Condition: Deco desc: red rubrics; small caps alternately blue, with red penwork, red, with blue penwork; illuminated initials (20 x 15mm.) in gold, blue, red,

the recto side is one historiated initial, colouring blue, and white, with a ground of gold, and blue lozenges, while from the frame run vertical bars and ivy-leaf sprays (gold, white, blue, and washed-out pink) in the left-hand and lower

Condition: Edges trimmed and tinted yellow Deco desc: northern Italian: red rubrics; small caps blue with red penwork or red with blue penwork; initials in gold, blue, mauve, red, green and white from 11r. to the end; historiated initials in

cardboard and mounted Deco desc: Letter C (75 x 60 mm) depicting Christ with bifurcate beard and wearing a bluehabit and a red cloak bearing gold designs. His head has a halo. His right hand is raised as if

Manuscripts of the West Midlands icon

Manuscripts of the West Midlands

101 results from this resource . Displaying 1 to 5

angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle

(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

1r-10v - blue initial W with red pen-line flourishing. Alternate red and blue paraphs. Artist 2: ff. 11r-56v - eight-line gold initial S boxed in rose ground with blue infill with white decoration. Three-line blue initials. Two-line blue (aqua) initials

Three-line blue initials with red penwork extending into border. Red and blue paraphs. Item 4: four/five-line initial A in blue as before. Red and blue paraphs. Two-line blue initials with red penwork. Item 5: fourteen-line initial I in blue with

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

Late Medieval English Scribes icon

Late Medieval English Scribes

258 results from this resource . Displaying 1 to 5

Reproduced with permission of The British Library a Usage: 'than'; straight-sided 'a' with horizontal cross-bar. Usage: 'names'; the scribe's characteristic habit of including an upper case 'A' in the middle of a word. Usage: 'And'; one of the scribe's upper

Usage: 'glotonye'; double compartment 'g' is used throughout. Usage: 'slepinge'; Usage: 'iuggede'; Usage: 'Grace'; he upper case graph. h Usage: 'habit'; h' sometimes has a slight angled foot at the base of the stem. Usage: 'hermite'; the limb descends in

end. y Usage: 'almighty'; the shape of 'y' is usually consistent. The length of tail may vary and D's usual habit is to dot the 'y' graph and to use a fine curved stroke above 'i'. In this manuscript the

only Page Size: 100 x 87 Frame: No discernible ruling. Paragraph Marks: Red and blue paraphs alternate. Flourished Initials: Blue lombard 3-line initial with red flourishing. Flourished Initials: Blue lombard 3-line initial with red flourishing. Further Information: Seymour I: 48.

by 3-line blue lombard initials with red flourishing. Smaller one-line blue initials with red flourishing--not alternating but always blue with red. Flourished Initials: Smaller divisions of text marked by 3-line blue lombard initials with red flourishing. Smaller one-line blue initials

The Production and Use of English Manuscripts 1060 to 1220 icon

The Production and Use of English Manuscripts 1060 to 1220

39 results from this resource . Displaying 1 to 5

the height of the minim, and wedged. descenders turn to the left. s. xii/xiii Large decorated initials, alternately red or blue with pen ornament of the other colour. The text is indented where the large initial appears, and approximately 1/5

with pen-ink decorations in blue and green. fol. 5v , two-line ornamental capital in red. fol. 7v , three-line ornamental capital in red. fol. 8r , two-line capital in blue. fol. 11v , three-line capital in blue. fol. 12r ,

well-separated, although the script is a little compressed, probably to save space rather than to respond to a particular scribal habit. a : Caroline form with a small lobe, which is always closed; in few instances the top is completely

(pp. 273-4). C1v The Psalm title and large initial are in red. A fragment of a blue initial is visible. C2v Initials in alternate blue, red and green. Kept in a small yellow envelope marked in pencil PEMBROKE in the

~x00f0~ is not used. ƿ is not used. descenders finish straight. Initials are in red, blue, green or metallic red. Rubrics are in red, blue, orange or green. A note on the pastedown says the manuscript was 'Bound April 1956'.

Geographies of Orthodoxy: Mapping English Pseudo-Bonaventuran Lives of Christ, 1350-1550 icon

Geographies of Orthodoxy: Mapping English Pseudo-Bonaventuran Lives of Christ, 1350-1550

47 results from this resource . Displaying 1 to 5

pricking visible throughout. Rubrication/ Ordinatio Initials: Ornate illuminated initials will be discussed in Decoration . Chapters generally begin with 4-line blue initials with red pen-work sprays and infilling (although the infilling and sprays are always in differing shades of red;

similarly signalled with a 3-line initial, blue with red flourishes. The Meditations begins with a 3-line initial, (originally gilt?) with purple pen work flourishes; subsequent initials at the top of sections are 2-line initials, blue with red-penwork; the first letter

set against alternating red and blue paraphs, with the note written in text ink, and underlined in red; on the opening leaf side notes in red ink (biblical citations) are in red set against blue paraphs. Alternating paraphs also subdivide

penned in red ink and marked with a blue paraph. Other: alternating red and blue paraph marks mark subdivisions in the text up until around chapter 8, from when alternating red and blue 1-line initials fulfil the same role; alternating

stints is that scribe B uses line-filling decoration; alternating red and blue paraph marks subdivide the text; sidenotes in red with blue paraph. The Gospel of Nicodemus has alternating blue and red paraphs, and has the names of saints underscored

The Imagining History project icon

The Imagining History project

71 results from this resource . Displaying 1 to 5

text: 3-line capitals, prob. in red or blue ink, flourished (prob. in red or blue ink. Item 3: Generally 2-line capitals (prob. in red or blue ink), flourished (prob. in red or blue ink. Miniatures Miniatures Rubrication Item 1: headings

caps, infilled, red on blue background, with small pen-work flourishes into margin. Miniatures Miniatures Rubrication Chapter headings in red, not numbered, sometimes with spiral line markers in red or blue; paraphs in text in red or blue; running titles and

prob. in red or blue; paraphs and spiral line markers prob. in red or blue; Maltese cross at beginning of text, in margin, prob. in red or blue 2: Some entries prob. in red or blue; on fol. 8v a

prob. blue with red infilling and flourishes; thereon 2-line initials, prob. blue with red flourishes; 7-line sinuous 'I' executed in margin. Miniatures Miniatures Rubrication chapter headings and numbers, poss. in blue or red; paraphs in text, poss. in blue or

numbers (roman) in red; 'paragraph marks in blue with red flourishing or in gold with blue or brown flourishing; jigsaw or j-motifline fillers in red and blue, or gold and blue, or blue alone.' (Online decription in the Digital Scriptorium

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 19 October 2019), https://www.manuscriptsonline.org/search/results?ft=m&kw=blue%20habit