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Europa Inventa: Early European Objects in Australasian Collections icon

Europa Inventa: Early European Objects in Australasian Collections

199 results from this resource . Displaying 1 to 5

Condition: Deco desc: red rubrics; red underlining; caps gold, blue and red with white tracery. On the verso is a full border of floral sprays and whorls in green, red, blue, gold. One miniature (97 X 78mm.) depicting a saint

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19c. pale blue brocade over boards Catchwords: Catchwords agree Collation: (10)1-2 (8)3 (9)4 (10)5-8 Composite: Condition: Deco desc: red rubrics; small caps alternately blue, with red penwork, red, with blue penwork; illuminated initials (20 x 15mm.) in gold, blue, red,

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the recto side is one historiated initial, colouring blue, and white, with a ground of gold, and blue lozenges, while from the frame run vertical bars and ivy-leaf sprays (gold, white, blue, and washed-out pink) in the left-hand and lower

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Condition: Edges trimmed and tinted yellow Deco desc: northern Italian: red rubrics; small caps blue with red penwork or red with blue penwork; initials in gold, blue, mauve, red, green and white from 11r. to the end; historiated initials in

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cardboard and mounted Deco desc: Letter C (75 x 60 mm) depicting Christ with bifurcate beard and wearing a bluehabit and a red cloak bearing gold designs. His head has a halo. His right hand is raised as if

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Manuscripts of the West Midlands icon

Manuscripts of the West Midlands

101 results from this resource . Displaying 1 to 5

angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle

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(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

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1r-10v - blue initial W with red pen-line flourishing. Alternate red and blue paraphs. Artist 2: ff. 11r-56v - eight-line gold initial S boxed in rose ground with blue infill with white decoration. Three-line blue initials. Two-line blue (aqua) initials

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Three-line blue initials with red penwork extending into border. Red and blue paraphs. Item 4: four/five-line initial A in blue as before. Red and blue paraphs. Two-line blue initials with red penwork. Item 5: fourteen-line initial I in blue with

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begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

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Late Medieval English Scribes icon

Late Medieval English Scribes

258 results from this resource . Displaying 1 to 5

Reproduced with permission of The British Library a Usage: 'than'; straight-sided 'a' with horizontal cross-bar. Usage: 'names'; the scribe's characteristic habit of including an upper case 'A' in the middle of a word. Usage: 'And'; one of the scribe's upper

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Usage: 'glotonye'; double compartment 'g' is used throughout. Usage: 'slepinge'; Usage: 'iuggede'; Usage: 'Grace'; he upper case graph. h Usage: 'habit'; h' sometimes has a slight angled foot at the base of the stem. Usage: 'hermite'; the limb descends in

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end. y Usage: 'almighty'; the shape of 'y' is usually consistent. The length of tail may vary and D's usual habit is to dot the 'y' graph and to use a fine curved stroke above 'i'. In this manuscript the

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only Page Size: 100 x 87 Frame: No discernible ruling. Paragraph Marks: Red and blue paraphs alternate. Flourished Initials: Blue lombard 3-line initial with red flourishing. Flourished Initials: Blue lombard 3-line initial with red flourishing. Further Information: Seymour I: 48.

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by 3-line blue lombard initials with red flourishing. Smaller one-line blue initials with red flourishing--not alternating but always blue with red. Flourished Initials: Smaller divisions of text marked by 3-line blue lombard initials with red flourishing. Smaller one-line blue initials

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The Production and Use of English Manuscripts 1060 to 1220 icon

The Production and Use of English Manuscripts 1060 to 1220

39 results from this resource . Displaying 1 to 5

the height of the minim, and wedged. descenders turn to the left. s. xii/xiii Large decorated initials, alternately red or blue with pen ornament of the other colour. The text is indented where the large initial appears, and approximately 1/5

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with pen-ink decorations in blue and green. fol. 5v , two-line ornamental capital in red. fol. 7v , three-line ornamental capital in red. fol. 8r , two-line capital in blue. fol. 11v , three-line capital in blue. fol. 12r ,

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well-separated, although the script is a little compressed, probably to save space rather than to respond to a particular scribal habit. a : Caroline form with a small lobe, which is always closed; in few instances the top is completely

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(pp. 273-4). C1v The Psalm title and large initial are in red. A fragment of a blue initial is visible. C2v Initials in alternate blue, red and green. Kept in a small yellow envelope marked in pencil PEMBROKE in the

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~x00f0~ is not used. ƿ is not used. descenders finish straight. Initials are in red, blue, green or metallic red. Rubrics are in red, blue, orange or green. A note on the pastedown says the manuscript was 'Bound April 1956'.

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Geographies of Orthodoxy: Mapping English Pseudo-Bonaventuran Lives of Christ, 1350-1550 icon

Geographies of Orthodoxy: Mapping English Pseudo-Bonaventuran Lives of Christ, 1350-1550

47 results from this resource . Displaying 1 to 5

pricking visible throughout. Rubrication/ Ordinatio Initials: Ornate illuminated initials will be discussed in Decoration . Chapters generally begin with 4-line blue initials with red pen-work sprays and infilling (although the infilling and sprays are always in differing shades of red;

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similarly signalled with a 3-line initial, blue with red flourishes. The Meditations begins with a 3-line initial, (originally gilt?) with purple pen work flourishes; subsequent initials at the top of sections are 2-line initials, blue with red-penwork; the first letter

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set against alternating red and blue paraphs, with the note written in text ink, and underlined in red; on the opening leaf side notes in red ink (biblical citations) are in red set against blue paraphs. Alternating paraphs also subdivide

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penned in red ink and marked with a blue paraph. Other: alternating red and blue paraph marks mark subdivisions in the text up until around chapter 8, from when alternating red and blue 1-line initials fulfil the same role; alternating

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stints is that scribe B uses line-filling decoration; alternating red and blue paraph marks subdivide the text; sidenotes in red with blue paraph. The Gospel of Nicodemus has alternating blue and red paraphs, and has the names of saints underscored

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The Imagining History project icon

The Imagining History project

71 results from this resource . Displaying 1 to 5

text: 3-line capitals, prob. in red or blue ink, flourished (prob. in red or blue ink. Item 3: Generally 2-line capitals (prob. in red or blue ink), flourished (prob. in red or blue ink. Miniatures Miniatures Rubrication Item 1: headings

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caps, infilled, red on blue background, with small pen-work flourishes into margin. Miniatures Miniatures Rubrication Chapter headings in red, not numbered, sometimes with spiral line markers in red or blue; paraphs in text in red or blue; running titles and

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prob. in red or blue; paraphs and spiral line markers prob. in red or blue; Maltese cross at beginning of text, in margin, prob. in red or blue 2: Some entries prob. in red or blue; on fol. 8v a

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prob. blue with red infilling and flourishes; thereon 2-line initials, prob. blue with red flourishes; 7-line sinuous 'I' executed in margin. Miniatures Miniatures Rubrication chapter headings and numbers, poss. in blue or red; paraphs in text, poss. in blue or

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numbers (roman) in red; 'paragraph marks in blue with red flourishing or in gold with blue or brown flourishing; jigsaw or j-motifline fillers in red and blue, or gold and blue, or blue alone.' (Online decription in the Digital Scriptorium

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 16 February 2019), https://www.manuscriptsonline.org/search/results?ft=m&kw=blue%20habit